Video History Project
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Bibliography

2,988 records

  1. The Temporary State of the Art Bibliography

  2. The Thinking Eye: Juan Downey Bibliography

    Institution/Organizer: International Center for Photography Site: International Center for Photography Exhibition Dates: April 24-June 21, 1987 Artist(s): Downey,Juan

  3. The TV Aesthetic Bibliography

  4. The TV Commercial: Getting from There to Here Bibliography

  5. The UnNecessary Image Bibliography

  6. The Upstate Issue Primer: Buffalo, the Media Alliance and the Emergence of a Surprising New Decentralized Media Discourse Bibliography

  7. The Vasulka Imaging System, LSI-11 Bibliography

    The Vasulka Imaging System, LSI-11. Manual contents follow: Cover letter by The Vasulkas (03.07.1978), Preliminary Documentation of the Imaging Bus (Overall System Documentation, Subsystem Description, Programming Information (forthcoming), Theory of Operation (forthcoming)), Gating Window Patterns …

  8. The Video Art of Takahiko Iimura Bibliography

    Takahiko Iimura, a leading non-commercial Japanese film artist since the early 1960s, moved toward conceptual film in the early 1970s with works including Film Strips (1969), Film Strips II (1969), Counting, 1 to 100 or Xs (Models, Reel 2, 1972) and 24 Frames Per Second (1978). He began video work in 1970 and developed syntactical and closed-circuit pieces—Camera, monitor, Frame (1976), the Observer/Observed series (1975–76), I=YOU=HE/SHE (1979), TV FOR TV/TV Confrontation (1983), Self-Introduction (1982) and other tapes and installations—using portapaks and later formats (Betcams, VHS, Video8) with cameras, monitors, switchers and headphones; writings and exhibition documentation cited include Art & Cinema (1978), Asahi Shimbun (1976), the Whitney Museum catalog (1979) and The Soho Weekly News (1979).

  9. The VIdeo Artist as Engineer Bibliography

  10. The Video Colorizer: 3,627,912 "Visual Display of Complex Color Television Sound Wave Signals" Bibliography

    Video Colorizer designed by Bill Hearn. Illustration of front panel with description: "The Video Colorizer is capable of simultaneously adding color to a monochrome video signal and total modification of gray scale. This instrument allows the operator to divide the gray scale of video into four or m…

  11. The Video Guide. Third Edition Bibliography

    Technical descriptiop of operation of video equipment

  12. The Video Issue Bibliography

  13. The Video Primer: Equipment, Production and Concepts Bibliography

  14. The Video Primer: Equipment, Production and Concepts Bibliography

    Technical descriptions of how video works.

  15. The Video Scene Bibliography

  16. The Video Stretch Bibliography

    The Video Stretch

  17. The Video Synthesizer - Review of Existing Synthesizers, excerpted from "Design Device" Tools

    Tom Dewitt presents the Design Device, a proposed video synthesizer to be controlled by a mini-computer reading a formatted picture language; the instrument is intended to perform video synthesis and signal processing and to let artists prepare and record programs on paper. He reviews existing vector and intensity-based synthesizers and modular, matrix, and computer-controlled patch systems, citing Rutt/Etra, Stephen Beck, Dan Sandin, EMS Ltd., Computer Image Corp., Vector General, Arp, Woody and Steina Vasulka, Don Buchla and Bell Labs. Planned features include memory oscillators for arbitrary wipes, an outline generator to reduce volumes to lines, rotation via low-frequency sine-cosine control voltages, and colorization approaches using luminance, chrominance and hue.

  18. The Video Underground Bibliography

  19. The Video Window of Davidson Gigliotti Bibliography

  20. The Video Work of Richard Foreman Bibliography

  21. The Videola Tools

    Don Hallock created the Videola at the National Center for Experiments in Television at KQED-TV, San Francisco; a color monitor in a mirrored pyramid produced an illusory spherical image 4x8 feet. It displayed images from camera, videotape recorder or video synthesizer; at NCET the Beck Direct Video Synthesizer was used as the input signal. The Videola was exhibited at the San Francisco Museum of Art in September 1973 with videotape works by Hallock and a live performance by Stephen Beck; press coverage appeared in California Living, the San Francisco Chronicle and Artweek.

  22. The Videola Under Construction in the Studio Bibliography

    The construction of the Videola by Don Hallock. Images and text courtesy of Don Hallock

  23. The Videomonster: The Immense and Fragile Hope of Popular Art Bibliography

  24. The Videotape Collection at Media Study/Buffalo Bibliography

    Media Study/Buffalo, a not-for-profit workshop, exhibition, and study center in Buffalo, NY, has established a 125-hour Videotape Collection of experimental video from 1964–1976; the initiative was funded by the National Endowment for the Arts and the New York State Council on the Arts and documents tools such as the Paik-Abe Synthesizer, Stephen Beck’s Direct Video Synthesizer, and the Rutt-Etra Scan Processor. Holdings include over 80 hours from NCET (selected and transferred by William Gwin), about a dozen hours from WGBH, works from WNET, and significant individual holdings by Skip Sweeney and Woody and Steina Vasulka; the collection comprises completed works, process experiments, and residency productions and is available for research and in-house viewing by appointment (contact John Minkowsky).

  25. The Videotapes of Tony Oursler Bibliography

    The Videotapes of Tony Oursler Originally published in French as "Les Bandes video de Tony Oursler" in the catalogue, Spheres d'Influence, Centre Georges Pompidou, Paris, 1985.