Video History Project
Quotation marks find an exact phrase.

Bibliography

2,988 records

  1. The New Renaissance: The Computer Revolution and the Arts Bibliography

    The New Renaissance: The Computer Revolution and the Arts

  2. The New Renaissance: The Computer Revolution and the Arts Bibliography

  3. The New Sleep: Stasis and the Image-Bound Environment Bibliography

    The New Sleep: Stasis and the Image-Bound Environment in Art Journal: Video - The Reflexive Medium

  4. The New Television: A Public / Private Art Bibliography

    Based on "Open Circuits: An International Conference on the Future of Television" organized by Fred Barzyk, Douglas Davis, Gerald O'Grady and Willard Van Dyke for the Museum of Modern Art. Categories include the aesthetics of television; support structure; the international setting; politics, philos…

  5. The New Wave Bibliography

    The New Wave. Critical landmarks selected by Peter Graham. Contents follow: Francois Truffaut making Jules et Jim, frontispiece, Interview with Francois Truffaut, The Birth of a New Avant-Garde: La Camera-Stylo, The Evolution of Film Language, In Praise of Andre Bazin, Little Themes, Review of Astru…

  6. The New York City Experimental Video and Film Festival Bibliography

    Videotape: Lynn Vance, Syracuse Institution/Organizer: The New York City Experimental Video and Film Festival Curator(s): Yoder,Hunter

  7. The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and The Frankfurt Institute Bibliography

  8. The Outside In: Chapter 7, Intensities and Flows Bibliography

    The Outside In: Chapter 7, Intensities and Flows. "There is no ideology and never has been."- Gilles Deleuze and Felix Guattari, A Thousand Plateaus (1987: 4). This chapter is composed of an Introduction and the following paragraphs: Feminism and Rhizomatics, Bodies, Bodies without Organs, Becomings…

  9. The Paik Abe Video Synthesizer Manual Bibliography

    A description of the Paik Abe Video Synthesizer in the Artist in Residence studio at the Experimental Television Center (Binghamton).

  10. The Pains and Pleasures of Rebirth: Women's Body Art Bibliography

    film, video and performance works. Joan Jonas, Charlotte Moorman, Lynda Benglis

  11. The Pains and Pleasures of Rebirth: Women's Body Art Bibliography

    film, video and performance works. Joan Jonas, Charlotte Moorman, Lynda Benglis,

  12. The Panama Tapes: Videographers Enin and Ethel Velez Bibliography

    Documentation of the Cuna Indians

  13. The Paper Tiger IDS-460 Impact Printer Owner's Manual Bibliography

    The Paper Tiger IDS-460 Impact Printer Owner's Manual. Includes photographs, controls views,technical data.

  14. The Parapoetics of Video Bibliography

    The Parapoetics of Video

  15. The Passing of an Era: Boston Film/Video Foundation Bibliography

    Anne-Marie Stein, former executive director of the Boston Film/Video Foundation (1988–2001), reviews BF/VF programs and operations and attributes the organization's closure to chronic undercapitalization, loss of major funders including MacArthur, constrained public support, limited fundraising capacity and short-term cash-flow pressures. She describes BF/VF's continuing education, exhibition (including the New England Film & Video Festival and Meet the Director), artists' resources and the Intervisions newsletter, and emphasizes lessons about organizational size, strategic planning, staff professional development and selective governance; she earned an MBA from Simmons and joined Northern Light Productions in April 2001.

  16. The Passion for Perceiving: Expanded Forms of Film and Video Art Bibliography

    The Passion for Perceiving: Expanded Forms of Film and Video Art in Art Journal: Video - The Reflexive Medium

  17. The Past Quarter Century and the Next Decade of Videotape Recording Bibliography

  18. The Perception of Television Displays Bibliography

    A prepublication draft of a survey and analysis of the basic perceptual determinants that may affect viewers' responses to television as a unique mode of visual stimulation. The work was supported by the Experimental Television Lab of WNET-TV. Forward by David Loxton, Director of the TV Lab.

  19. The Performer Synthesizer Newspaper Reprints from various sources Bibliography

    The Performer Synthesizer Newspaper Reprints from various sources including Music Journal, featuring Alfred Mayer's "Performer" synthesizer and modulator, "Quad Sound Presets X and Y Slide Octave Coupler", "Digionic Digital Music Sequencer SEQ-1", "The Ionicamera", (modified television-like a Wobula…

  20. The Performer Synthesizer: A Non-Technical Approach to Electronic Music Synthesis Bibliography

    The Performer Synthesizer: A Non-Technical Approach to Electronic Music Synthesis. Foreword written by Alfred Mayer describes the goal of making an instrument and accompanying documentation to simplify the process of playing with electronic music and audio synthesis. http://www.maltedmedia.com/peopl…

  21. The Personal Computer/Hobbyist keyboard from Cherry; Schematics for Cherry B70-05AB Keyboard Bibliography

    The Personal Computer/Hobbyist keyboard from Cherry; Schematics for Cherry B70-05AB Keyboard. Illustrated with features described. Schematics include a hand-written change to the "Automatic Repeat" feature of the repeat key. Also includes a keyboard code diagram for programming.

  22. The Phosphotron Bibliography

  23. The Poisoned Chalice? International Television and the Idea of Dominance Bibliography

  24. The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices Bibliography

    Essay examines how photographic, cinematic and television-video images produce personal and cultural memory while simultaneously enabling forms of forgetting; it argues that television's live flow and videotape materiality complicate preservation and historical status. It surveys independent video practices and collectives (Videofreex, Raindance) and analyzes works by Woody Vasulka (Art of Memory, 1987), Rea Tajiri (History and Memory, 1991), Janice Tanaka (Memories from the Department of Amnesia, 1990; Who's Going to Pay for These Donuts, Anyway?, 1992) and Jeanne Finley (Nomads at the 25 Door, 1991), addressing Japanese American internment, Yugoslavia (1990), televised events (Challenger, Tiananmen, Berlin Wall) and videotape deterioration. The artists use videotape, found footage and reenactment to create counter-memories, bear witness and contest national narratives.

  25. The Postmodern Condition: A Report on Knowledge Bibliography