- Institute for Electronic Arts Chronology
Mantic Ecstasy is a catalog of video works produced at the Institute for Electronic Arts at Alfred University; it includes works by Peer Bode, Pamela Susan Hawkins, Andrew Deutsch, Jessie Shefrin and Darrin Martin. The works were produced, in part, through the Residency Program at the Experimental Television Center.
- Light and Darkness in the Electronic Landscape: Some Aspects of the Video Image Tools
Barbara Buckner's lecture, presented at the Collective for Living Cinema in February 1978, analyses the video image's technological and aesthetic properties, describing electron-beam scanning (525 horizontal lines, 30 frames/second, two fields per frame, 1/60th second vertical retrace), tape recording, monitors and sync pulses. She contrasts video and film, discusses video image processors and computer-based video synthesizers (citing Donald E. McArthur, Experimental Television Center, June 1977) and considers implications for storage, automated composition and the artist's role in machine-assisted image-making.
- Art Statement Bibliography
Artist states that their image-synthesis/image-processed video works are serial constructions produced with custom-built analog and digital processors; each section is a synthesized real-time recording in which sound and image are parallel electronic structures mutually controlled by predetermined waveshapes. The work addresses people, interaction, time, physical and psychic space and remembering, often rendering primitive social and biological functions such as flirtation, courtship, penetration, fission and fusion as tactile, schematized movements and transitions. Periodic wave forms (sine, triangle, ramp, etc.) are most often used as image source; their temporal makeup and iconic video display are said to evoke archetypal forms and myth and to express primordial rhythmic and natural ordering principles.
- From Technological to Virtual Art Bibliography
traces the development of immersive, interactive new media art from its historical antecedents through today's digital, multimedia, and networked art. Popper shows that contemporary virtual art is a further refinement of the technological art of the late twentieth century and also a departure from i…
- Notes Toward a History of Image-Processed Video: Steina and Woody Vasulka Bibliography
Ed.'s note: This is the second in a series of articles on imageprocessed video. The first article examined the contributions of Eric Siegel, Stephen Beck, Steve Rutt Dan Sandin, and Bill and Louise Etra to the development of electronic imaging devices [see Afterimage, Vol. 11, Nos. 1 & 2 (Summer 198…
- David Hall People
Bibliography (2002–2010) lists books, articles and an online entry related to video art, including Film Art Phenomena (Nicky Hamlyn, British Film Institute, 2003); Everything Seemed Possible (Richard Cork, Yale University Press, 2003); Video Art: A Guided Tour (Catherine Elwes, I.B. Tauris, 2005); A History of Video Art (Chris Meigh-Andrews, Berg, 2006); and 100 Video Artists (EXIT Publications/Fundación ICO, 2010). Selected exhibitions (2003–2006) document presentations and installations at Tate Britain, FACT Liverpool, Galeria Wschodnia and Polish universities, De La Warr Pavilion, Dundee Contemporary Arts and Museo Nacional Centro de Arte Reina Sofia (Madrid), and include thematic video- and television-focused shows such as First Generation: Art and the Moving Image 1963-1986, Test Transmissions and Analogue (touring until 2008).
Video History Project