- The New York City Experimental Video and Film Festival Bibliography
Videotape: Lynn Vance, Syracuse Institution/Organizer: The New York City Experimental Video and Film Festival Curator(s): Yoder,Hunter
- Set in Motion Chronology
Set in Motion documents a New York State Council on the Arts celebration of 30 years of support for independents; the Council funded a series of 21 film and video programs between 1961 and 1993. Curators were Linda Earle, Leanne Mella and Debby Silverfine; catalog texts were contributed by Debby Silverfine, Daryl Chin, Leanne Mella, Marita Sturken and Pearl Bowser. The publication includes a chronology of activities and a listing of grant recipients for 1961–1993.
- Courtney Rile People
Courtney Rile is an artist, curator and arts coordinator based in Syracuse, NY; her video art has been shown internationally and locally, including the first Syracuse International Film and Video Festival. In 2005 she curated the moving-images program Videohm at an upscale lounge and bar in Syracuse, presenting nearly 300 hours of international experimental film and video and VJ work; she also coordinated the exhibition Clement Greenberg In Syracuse: Then & Now at ThINC's Company Gallery that year. She is Gallery Coordinator at Delavan Art Gallery and holds an A.A. in TV/Radio/Film from Montgomery County Community College, PA, and a B.F.A. in Video Art from Syracuse University, NY.
- Erik Moskowitz and Amanda Trager People
Erik Moskowitz makes installations and films that examine the relationship between cinema space and gallery space; solo installation exhibitions at Momenta Art, Freight and Volume, Holiday (NYC) and Le Sous Salon (Paris); festival screenings at Impakt (Netherlands), Antimatter (Canada), Oberhausen (Germany), Experimenta (India), Press Play (Carnegie Mellon) and Experiments in Cinema (University of New Mexico); website http://www.americantrance.com/. Amanda Trager combines painting, sculpture and installation with first-person prose narrative; solo exhibitions at Momenta Art, Annika Sundvik (NYC), Clifford-Smith Gallery (Boston) and Le Sous Salon (Paris); group shows include Brooklyn Museum's Open House, NextNext Visual Art program at BAM, White Box gallery and Feature gallery (NYC); both live and work in NYC.
- Tracking Video Art: Image Processing as a Genre Bibliography
Lucinda Furlong, Curatorial Assistant in the Whitney Museum of American Art's Film and Video Department, traces the emergence of image processing as a distinct video-art genre from the late 1960s through the mid-1970s; she examines terminology, aesthetic debates, and the modernist and formalist impulses that shaped the work. The text documents early tool-builders and artists (Dan Sandin, Steina and Woody Vasulka, Eric Siegel, Stephen Beck, Bill Etra, Steve Rutt, Nam June Paik and Shuya Abe), key technologies (video synthesizers, Sandin Image Processor, Rutt-Etra, Moog, Z-Grass), institutions (Whitney Museum, Radical Software, Experimental Television Center, SUNY Binghamton, University of Illinois Circle Campus) and funding developments including a $50,000 NYSCA grant to Hocking's Center.
- Binghamton University - Cinema Department & Artists Lab at School for Advanced Technology, (1977, 1980, 1983, 1998) Groups
Cinema Department Pamela Susan Hawkins, 1998 The Electronic Gallery Exhibitions 1980, 1983 Cinema Department Program & Relationship with Experimental Television Center Survey of Film/Television/Video/Still Photography/Electronic Music Activity at State University of New York Campuses John Minkowsky.…