- ETC History 1983-85
In 1983–84 David Jones, assisted by Matt Schlanger, continued work on the Four Board Project; the system comprised a four-channel colorizer, keyers, a multi-channel programmable sequencer and oscillators and aimed to provide equipment for the Residency Program and define a low-cost imaging system for artists. They began study of the newly available Amiga computer; artists in this period included Shigeko Kubota, Paul Garrin and Arthur Tsuchiya. In 1984–85 the project was completed and installed at the Center; Jones and Schlanger, with Connie Coleman and Alan Powell, documented the system and revised the equipment manual to include new tools and to explicate keying, colorization and switching; artists included Merrill Aldighieri, Joe Tripician, David Blair, Peter Rose and Kathy High.
- ETC History 1981-83
History 1981–82 lists studio artists Frank Dietrich, Thierry Kuntzel, Alex Roshuk and Matt Schlanger and notes Residency Program work exhibited at Siggraph, the Donnell Library, Global Village, the 7th Annual Ithaca Video Projects Festival and the San Francisco International Video Festival. History 1983–84 records NYSCA funding for a General Purpose Interface Board to link analog imaging equipment with an 8 bit computer, enabling remembered knob settings; David Jones and Peer Bode began initial research on a real-time frame buffer digitizing analog video at 256x256 with 16 shades of gray. The Pattern Program was developed as an internship project by Master’s candidates at SUNY to draw, store and deploy patterns or textures as movable matts or windows; artists listed include Nancy Buchanan, Amy Greenfield, George Stoney, Barbara Sykes and Ann Wooster.
- ETC History 1999 - 2000
The Center’s residency program, active since 1971, assisted over 1,100 artists and in 1999–2000 hosted about 45 residents whose works screened at MoMA, the Whitney Biennial and the New Museum and were distributed by Electronic Arts Intermix and others; technology upgrades added a G4 Mac and DV decks. Programs included Film and Electronic Arts grants, Finishing Funds, Presentation Funds, a Media Arts Technical Assistance Fund, educational residencies and the Video History Project, which held an October 16–18, 1998 conference and launched a website in Summer 2000.
- ETC History 1979-81
1979–80 equipment at the Center included a Z-2 8-bit computer with an S-100 bus, dual floppy drives and a CAT digital frame buffer; a Z-80 was also interfaced to an analog box and software development for video uses began. Artists in residence during 1979–81 included Alan Powell, Connie Coleman, Charles Atlas, Victor Velt, Jud Yalkut, Ren Weidenaar, Dan Reeves, Jon Hilton, Celia Shapiro and Peter D'Agostino; The Electronic Workshop series was presented to 17 organizations around New York State and the Center moved to Owego; in 1980–81 David Jones developed the Print Program for disk-captured videographic still frames with variable gray-level printing and additional software was produced by graduate interns under Paul Davis and Ralph Hocking.
- ETC History 2003 - 2004
History 2003-2004 The Residency Program offers self-directed creative time to mediamakers from throughout the country. Since 1971 we have assisted over 1400 artists in the creation of works using new electronic video, sonic and digital technologies. Each year about 40 artists are invited to work in …
- ETC History 1990-91
The Center added a third Amiga and the Toaster to expand digital imaging; artists in residence included Mara Alper, Irit Batsry, Alan Berliner and Shalom Gorewitz. Tapes were exhibited at venues including the Museum of Modern Art, Bronx Museum, Rome and Stockholm festivals, and were broadcast on The Learning Channel, WNET and Deep Dish TV. Artists received awards from the Checkerboard Foundation, the NEA, Locarno (Grand Prix), Athens (First Prize) and the Jerome Foundation; Finishing Funds 1991 recipients included Bill and Mary Buchen, Jean de Boysson and Bradley Eros.