Biblio

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bibliographic
Glueck, Grace. "Videotape Replaces Canvas for Artists Who Use TV Technology in New Way." New York Times (1975).
Vasulka, Steina, and Woody Vasulka. Steina & Woody Vasulka: Video Works, Edited by Lori Zippay. Tokyo, Japan: NTT InterCommunication Center (ICC) Theater, 1992.
Buck-Morse, Susan. The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and The Frankfurt Institute.. NY: Free Press, 1979.
Tekscope. Volume 10, Number 3.. Beavertown, OR: Tektronix., 1978.
Horsfield, Kate. Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews, Edited by Kate Horsfield and Lucas Hilderbrand. PA: Temple University Press, 2006.
Rosen, Nancy. Artpark 1977. The Program in Visual Arts.. Lewiston, NY, 1977.
DeFanti, Thomas A., and Daniel J. Sandin. Final Report to the National Endowment of the Arts - Analog Computers., undated.
Wooldridge, Dean E.. The Machinery of the Brain. New York, NY: McGraw- Hill Book Company, Inc., 1963.
Heath, Stephen, and Patricia Mellencamp. Cinema and Language. American Film Institute Monograph Series, vol. 1., Edited by Stephen Heath. Frederic, MD: University Publications of America, 1983.
Radio Corporation of America (RCA). Commercial Electronic System Division. Operator Manual: Type PK-501 TV Camera.. Burbank, CA: Radio Corporation of America (RCA)., undated.
Cromemco Binder includes Z-2, Z-2D Instruction Manual; ZPU Z-80 Central Processing Unit; TU-ART Digital Interface; Measurement Systems and Controls Addendum to Technical Manual for Model DM6400 Series, S-100 Dynamic Memory Boards. Cromemco, Measurement Systems and Controls, 1975.
Vostell, Wolf. Happening und Leben. Berlin: Hermann Luchterhand Verlag,, 1970.
Knowles, Marguerite W.. "Mediascope Buffalo: The Moving Image In and Around Buffalo 1970-1985." The Squealer 11, no. 2 (1996).
Shubin, Mark. HDTV Glossary. NY: Union Square Press, 1990.
Embossed Cardboard Artwork/Diagram for Col-R-Tel Color Converter.. Columbia City, Indiana, 1955.
Jones, Philip Mallory. Icono Negro: The Black Aesthetic in Video Art. Long Beach, CA: Long Beach Museum of Art, 1989.
Schiller, Herbert I.. Information and the Crisis Economy.. Norwood, NJ: Ablex, 1984.
Eisenstein, Sergei. Film Form and The Film Sense: Essays in Film Theory, Edited by Jay Leyda. New York, NY: Meridian Books, 1957.
Manovich, Lev. The Language of New Media. MIT Press, 2001.
Sony P.E.T.I-7 Video Tape Duplicating (Product Engineering Technical Information)., 1968.
Diamond, Edwin. Sign Off: The Last Days of Television. Cambridge: MIT Press, 1982.
Ampex EDM-1 Computer-Controlled Editing System. Redwood City, CA: Ampex Corporation, undated.
"The Video Issue." Lightworks 1, no. 5 (1976).
Sony Corporation of America. Sony. Tuner/Timer TT-100 Operating Instructions.. Japan: Sony Corporation of America., undated.
Fried, Michael. "Art and Objecthood." Artforum 5, no. 10 (1967).
"An Introduction to the 800 # Revolution: Direct-to-Viewer Marketing of Home Video." NVR Reports, no. 1 (1990).
3M D-3016 Video Character Generator Service Manual.. St. Paul, MN: 3M Company Datavision Video Products Mincom Division, 1978.
Sturken, Marita. "Imaging postmemory/renegotiating history." Afterimage (1999).
New York State Council on the Arts Proposal: Video Processing Workshop., 1979.
Miller, Branda. Surveillance. Los Angeles: (LACE), 1987.. Los Angeles: Los Angeles Contemporary Exhibitions, 1987.

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