Biblio
Pioneers of Electronic Art, Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Computer Art: An Ohio Perspective. Dayton, OH: Dayton Visual Arts Center, 1993.
Iterations: The New Image., 1993.
Still Life in Real Time: Theory after Television. Durham, NC: Duke University Press, 1994.
New Tools for Preservation: Assessing Long-Term Environmental Effects on Library and Archives Collections. Rochester, NY: Image Permanence Institute, Rochester Institute of Technology., 1995.
Thoughts on 3-D., 1995.
Electronic Culture, Edited by Timothy Druckery. NY, 1996.
Electronic Culture, Edited by Timothy Druckery. NY, 1996.
After the End of Art. Princeton, 1997.
Determining Copyright Status for Preservation and Access: Defining Reasonable Effort." Library Resources and Technical Services 41, no. 4 (1997).
"Performing Arts Journal 56: Artaud at 100, Fassbinder Play, La MaMa in Vietnam, Janie Geiser Storyboard, New Video., Edited by Bonnie Marranca, Gautam Dasgupta and Daryl Chin. Baltimore, Maryland: The Johns Hopkins University Press, 1997.
Performing Arts Journal 56: Artaud at 100, Fassbinder Play, La MaMa in Vietnam, Janie Geiser Storyboard, New Video., Edited by Bonnie Marranca, Gautam Dasgupta and Daryl Chin. Baltimore, Maryland: The Johns Hopkins University Press, 1997.
Interview with Steina Vasulka, Edited by Pamela Hawkins. Experimental Television Center, 1998.
Who's in Control? Issues in Interactive Media Art." Connect: Information Technology at NYU, no. Fall 1999 (1999).
"Chris Petit and Iain Sinclair Asylum." Film Comment (2000).
"New England's Creative Economy The Non-Profit Sector: 2000. New England Foundation for the Arts, 2003.
Permanence Through Change: The Variable Media Approach, Edited by Alain Depocas, Jon Ippolito and Caitlin Jones. NY and Montreal: Solomon Guggenheim Foundation and the Daniel Langlois Foundation for Art, Science and Technology, 2003.
Permanence Through Change: The Variable Media Approach, Edited by Alain Depocas, Jon Ippolito and Caitlin Jones. NY and Montreal: Solomon Guggenheim Foundation and the Daniel Langlois Foundation for Art, Science and Technology, 2003.
50 (Fifty) Years of Flaherty: Inspired Filmmaking, Edited by Nadine Covert. New York, NY: International Film Seminars, Incorporated/ The Flaherty, 2004.
FreeCooperation, Edited by Geert Lovink and Trebor Scholz. Buffalo, NY: Department of Media Study, SUNY at Buffalo, 2004.
Technology Delivers People." The Squealer 15, no. 1 (2004): 16.
"What I Would Like the Future to Hold is Both/And." The Squealer 15, no. 1 (2004): 17.
"A Closer Look: Hidden Histories - Introduction. San Francisco, CA: NAMAC, 2005.
Reverse Engineers. Tonawanda, NY: Carnegie Art Center, 2005.
Land-Tracking-Land. Rochester, NY: Rochester Contemporary, 2006.
The Early Show: Video from 1969-1979, Edited by Constance(Curator) De Jong. NY, NY: Hunter College, 2006.
The Early Show: Video from 1969-1979, Edited by Constance(Curator) De Jong. NY, NY: Hunter College, 2006.