Biblio

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Grass Valley Group Model 900SE-2 Special Effects Generator, Model 933 Waveform Processor Board Schematics. Beaverton, Oregon: Grass Valley Group, 1970.
Grass Valley Group Models 621R-1 and 621R-2 Audio Monitor Power Amplifiers Instruction Manual. Beaverton, Oregon: Grass Valley Group, 1972.
Grass Valley Group Product Catalog for Model 900 Series (rack mount), Model 771 Vertical Aperture Equalizer. Beaverton, Oregon: Grass Valley Group, 1970.
Grass Valley Group Field Modification Note for Lever Arm Assemblies for all 900, 1400, and 1600 series equipment.. Beaverton, Oregon: Grass Valley Group, 1976.
Grass Valley Group Operator Manuals for Model 900 Series Tray With Power Supply, 900 Series Tray and Model 900 Dual Power Supply, Model 940 Video Processing Amplifier, Model 952 Bar-Dot Generator, Model 961 Synac. Beaverton, Oregon: Grass Valley Group, 1969.
Grass Valley Group Video Switching Systems. Beaverton, Oregon: Grass Valley Group, 1971.
Grass Valley Group Operating Manuals for Model 908 Color Black Generator, 909 Color Background Generator, 930/931 Color Insert Keyer, 937 Chroma Keyer. Beaverton, Oregon: Grass Valley Group, 1967.
Grau, Oliver. MediaArtHistories. MIT Press, 2007.
Green, J.Ronald. "At the crossroad: Paik's electronic superhighway - Nam June Paik's "The Electronic Super Highway: Travels with Nam June Paik"." Afterimage, no. Summer (1996).
Green, Ronald J.. "Maximizing Indeterminacy: On Collage in Writing, Film, Video, Installation and Other Artistic Realms - as well as the Shroud of Turin." Afterimage (2000).
Green, Alan. "AFI Video Festival IV." Videography 10, no. 6 (1985).
Green, Jo-Anne. Digi-Presenter Manual. New York, New York: New York State Council on the Arts, 2005.
Gregory, R. L.. The Intelligent Eye. New York, NY: McGraw-Hill Book Company, 1970.
Gregory, R. L.. Eye and Brain: The psychology of seeing. New York, Toronto, NY, Ontario, Canada: McGraw-Hill Book Library, 1966.
Grenier, Vincent. Ten Years of Living Cinema. NY: Collective for Living Cinema, 1982.
Gretzen, Phillip. "The National Center for Experiments in Television." Videocity - Radical Software from San Francisco 2, no. 3 (1972).
Grim, Courtney. "(How I Made) My Own Private Spy Camera." The Squealer 15, no. 1 (2004): 11.
Grossman, Peter Z.. "Getting into the Act: Video in Live Performance." Videography 3, no. 3 (1978).
Grossman, Peter. "The VIdeo Artist as Engineer." Videography 3, no. 10 (1978).
Gruber, Bettina, and Maria Vedder. Du Mont's Handbuch der Video Praxis. Koln: DuMont Buchverlag, 1982.
Gruber, Bettina, and Maria Vedder. Kunst und Video. Koln: DuMont Buchverlag, 1983.
Gu, Xiaomin. Xiaomin Gu: Life in Process. Ximage Publisher, 1995.
Guberman, Ross, and Julia Kristeva. Julia Kristeva Speaks Out.., undated.
Gurevitch, Michael. Culture, Society and the Media, Edited by Michael Gurevitch. NY: Methuen, 1982.
Gusella, Ernest. A Statement on Video., 1979.
Gustafson, Julie. The Global Village Handbook for Independent Producers and Public Television, Edited by Julie Gustafson. NY: Global Village Video Resource Center, 1981.
Gustafson, Julie, and John Reilly. "Conversation with Julie Gustafson and John Reilly." Videography 7, no. 5 (1982).
and Gutstadt, Howard Steve Seid. E-ITV: Personal Computers and Video Production. Berkeley, California: E-ITV, 1984.
Gwin, William. Video Feedback: How to Make it; An Artist's Comments on its Use; A System Approach. San Francisco, CA: National Center for Experiments in Television at KQED.
Gwin, William. Relfections on The Media. San Francisco, CA: National Center for Experiments in Television, undated.

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