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Sturken, Marita. "A Narrative Conceit: From the Academy to the Avant Garde." Afterimage 9, no. 9 (1982).
A PDF listing issues of Afterimage from 1972 through Vol 29 Issue 1. Rochester, NY: Visual Studies Workshop, 2002.
Taylor, Deems. A Pictoral History of the Movies. New York, NY: Simon and Schuster, 1943.
Ancona, Victor. "A Profile of Video Art Distributor Anna Canepa." Videography 3, no. 4 (1978).
Hocking, Ralph. A Proposal for Low Cost Retrieval of Early Videotapes Produced on Obsolete Equipment and/or Videotape that Will Not Play Back. Or The Resurrection Bus. Owego, NY: Experimental TV Center, 1990.
Ross, David. "A Provisional Overview of Artists' Television in the United States." Studio International, no. 191 (1976).
A Public Trust. A Summary and Overview of the Findings and Recommendations of the Carnegie Commission on the Future of Public Broadcasting. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Acconci, Vito. A Retrospective1969 to 1980. Chicago: Museum of Contemporary Art,, 1980.
Giloth, Copper, and Lynn Pocock-Williams. "A Selected Chronology of Computer Art: Exhibitions, Publications, and Technology." Art Journal 49, no. 3 (1990).
A Short Form Catalog featuring C Series, L Series, I Series DTL and TTL Micrologic. Natick, MA: Control Logic Inc., 1974.
Gusella, Ernest. A Statement on Video., 1979.
A SUNY Festival of Film and Video. Albany, NY: University-wide Programs in the Arts, 1982.
A SUNY Festival of Film and Video. Albany, NY: University-wide Programs in the Arts, 1979.
Hindman, James. "A Survey of Alternative Video Part 2." AFI Edurational Newsletter 4, no. 3 (1980).
Hindman, James. "A Survey of Alternative Video Part I." AFI Edurational Newsletter 4, no. 2 (1980).
Hagen, Charles, and Laddy Kite. "A Syntax of Binary Images: An Interview With Woody Vasulka." Afterimage 6, no. 40545 (1978).
Fielding, Raymond. A Technological History of Motion Pictures and Television, Edited by Raymond Fielding. Berkeley, CA: University of California Press, 1967.
Eco, Umberto. A Theory of Semiotics. Bloomington: Indiana University Press, 1976.
Hornbacher, Sara. A Thousand Plateaus, Edited by Barbara Schreiber. Atlanta, GA, 2001.
Ancona, Victor. "A Tour at New York's Whitney Museum." Videography 1, no. 9 (1976).
Vidor, King. A Tree is a Tree: An Autobiography. Hollywood, CA: Samuel French, 1953.
Templeton, Lawrence W., Don Hallock, and Richard Stephens. A Video Processing Facility for Artistic Use: Design Philosophy and a Description of Components. San Francisco, CA: National Center for Experiments in Television at KQED, 1972.
Winston, Brian. "A Whole Technology of Dyeing: A Note on Ideology and the Apparatus of the Chromatic Moving Image." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 105-124.
Berger, John. About Looking.. NY: Pantheon, 1980.
Howard, Brice. "About Television Reality and Performance." National Center for Experimental in Television Reports 2 (undated).
Howard, Brice. About Television Reality and Performance. San Francisco, CA: National Center for Experiments in Television at KQED, undated.
Lord, Chip. "Abscam: Video in Crime and Justice." Video 81 2, no. 1 (1981).
LeGrice, Malcolm. Abstract Film and Beyond. Cambridge: MIT Press, 1977.
Gigliotti, Davidson. Abstract Painting 1960-1969: Video Art in the Sixties. Long Island City, NY: Institute for Art and Urban Resources, 1982.
Schimmel, Paul, and Nam June Paik. "Abstract Time." Arts Magazine 49, no. 4 (1974).