Biblio
A Closer Look: Hidden Histories - Radical Learning, Radical Perception The History of the Experimental Television Center. San Francisco, CA: NAMAC, 2005.
NYS Council on the Arts 1969-70: Executive Director's Statement. NY, NY: New York State Council on the Arts, 1970.
Interview with Steina Vasulka. Vasulka Archive online, 1995.
(Re)performing the Archive: Barbara Lattanzi and Hollis Frampton in Dialog." Millennium Film Journal No. 39/40, no. No. 39 / 40 (2003).
"Interview with Peer Bode., 1995.
Attention! Production! Audience!: Performing Video in its First Decade, 1968-1980.. Chicago: Video Data Bank, 1995.
Interview with Steina Vasulka., 1995.
Motion: An Exhibition of Essentialist Film and Video. - Artist Statement. Utica, NY: Munson-Williams-Proctor Arts Institute, 1999.
Bibliography. Appendix to the Experimental Television Center Equipment Operating Manuals. Binghamton, NY: Experimental Television Center, 1983.
Reflections from Owego." The Squealer (1990).
"G.R.I.D. - Works. Elmira, NY: The Arnot Museum, 1986.
The Evolution of Thinking Machines." The Squealer (2004).
"The Tapes are Disappearing." The Squealer 13, no. Spring/Summer 2002 (2002).
"Saving the Images: A Report from the Looking Back/Looking Forward Symposium." The Squealer 13, no. 2 (2002).
"Landscape: Mediated Views. Rochester, NY: Visual Studies Workshop, 1998.
The Evolution of Thinking Machines." The Squealer 15, no. 1 (2004).
"Saving the Images: A Report from the Looking Back/Looking Forward Symposium." The Squealer 13, no. Fall/Winter 2002 (2002).
"A Proposal for Low Cost Retrieval of Early Videotapes Produced on Obsolete Equipment and/or Videotape that Will Not Play Back. Or The Resurrection Bus. Owego, NY: Experimental TV Center, 1990.
Hocking is "Champion of the Arts"." unknown (1989).
"Artist's Video I: Video in the Boroughs. NY: Locus Communications and BACA, 1983.
Editor's Statement." Video: The Reflexive Medium Issue Fall, no. 1985 (1985).
"Video: The Reflexive Medium - Editor's Statement, Edited by Sara Hornbacher. NY, NY: College Art Association, 1985.
Artist's Video II: Video in the Boroughs. NY: Locus Communications, 1983.
Preserving the Immaterial: The Guggenheim Museum's Variable Media Initiative." MAIN, no. Spring/Summer 2001 (2001).
"Meeting the Challenges of Video Preservation: A Progress Report on Initiatives within the Media Arts Field by Media Alliance. NY, NY: Media Alliance, 1996.
Black Filmmakers, Black Audiences, and Public Television Programming: An Examination of Issues and Options for the Future. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
Annotations 3--Frequencies: Investigations into Culture, History and Technology: Identity in the Video of Takahiko Iimura. London: Institute of International Visual Arts, 1998.