Biblio
Building Arts Audiences and Communities on the Web: A Guide for Arts Organizations. NY, NY: New York CFoundation for the Arts, 1997.
Regarding Television. The American Film Institute Monograph Series, vol. 2., Edited by Ann E. Kaplan. Frederick, MD: University Publications of America,, 1983.
Close Encounter with Ron Hays." Videography 3, no. 3 (1978).
"Architechtural Space, Psychology, and Video." National Center for Experimental in Television Reports 3 (undated).
"Architectural Space, Psychology, and Video. San Francisco, CA: National Center for Experiments in Television, undated.
Video Art: Old Wine, New Bottle." Artforum 12, no. 10 (1974).
"Reflections on Values in Public Television And their Relationship to Political and Organizational Life." National Center for Experimental in Television Reports 3 (1972).
"Reflections on Values in Public Television And their Relationship to Political and Organizational Life. San Francisco, CA: National Center for Experiments in Television at KQED, 1972.
Television and Reality: A Report from the Television: Art and Information Meeting (Asilomar, CA 6/8-11/73." National Center for Experimental in Television Reports 2 (undated).
"Television and Reality: A Report from the Television: Art and Information Meeting. San Francisco, CA: National Center for Experiments in Television at KQED, undated.
Television: Art & Information, Values and practices in public broadcasting.. San Francisco, CA: National Center for Experiments in Television at KQED, 1973.
Dear Chloe. San Francisco, CA: National Center for Experiments in Television at KQED, 1972.
The Role of Technology in the Art of Nam June Paik: Paik's Videotapes. unpublished thesis, 1988.
Origins: REdiscovering the Future of Video Art. Vol. Cambridge. Boston, MA: Art Interactive, 2003.
The Role of Technology in the Art of Nam June Paik: The Social Implications of Television. unpublished thesis, 1988.
The Role of Technology in the Art of Nam June Paik: Paik's Video Sculpture. unpublished thesis, 1988.
David Ross Thoughts on Video." Artweek 9, no. 33 (1978).
"Marlene and Paul Kos: Video Collaborations." Artweek 9, no. 21 (undated).
"The Nature and Art of Motion, Edited by Gyorgy Kepes. NY: George Braziller, 1965.
CollageMachine: An Interactive Agent of Web Recombination." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
"Videography What Does It All Mean?" American Cinematographer (1972).
"The Electronic Gallery - Perceptual Process and Processed Video Art. Owego, NY: SUNY Binghamton & The Experimental Television Center, 1980.
The Art of Time. NY: E. P. Dutton, 1969.
Video Conference Held at Albany." Afterimage (1974).
"Klark-Teknik DN-36 Operating Instructions. Farmingdale, NY: Klark-Teknik Electronics Inc., undated.
The Rise of the Televisualists in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
KLH 120 Watt Powered Subwoofer Owner's Manual. Sun Valley, CA: KLH Audio Systems, undated.
Motion: An Exhibition of Essentialist Film and Video. The 58th Exhibition of Central New York Artists, Edited by John Knecht. Utica, NY: Munson-Williams-Proctor Arts Institute, 1999.
Knight Electronics KG-685 Color Pattern/Generator Kit Instructions; Demodulator Probe; Low Capacity Probe;. Maywood, Illinois: Knight Electronics, 1966.
Mediascope Buffalo: The Moving Image In and Around Buffalo 1970-1985." The Squealer 11, no. 2 (1996).
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