Biblio

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H
Hagen, Charles, and Laddy Kite. "Walter Wright and his Amazing Video Machine." Afterimage 2, no. 10 (1975).
Hall, David. Early Video Art: A look at a Controversial History from Diverse Practices: A Critical Reader on British Video Art , edited by Julia Knight. Arts Council of England and John Libbey, 1996.
Halleck, DeeDee. Mind Power. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
Hanhardt, John. Taka Iimura's "I=YOU=HE/SHE". NY, NY: Whitney Museum of American Art, 1979.
Hanhardt, John. "The Passion for Perceiving: Expanded Forms of Film and Video Art in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Hanhardt, John. Strengthening the Media Arts in New York State : John Hanhardt. ETC, 2004.
Hays, Ron. Music Image. The WGBH Music-Image Workshop Report of Activities: June 1972 through January 1974 Excerpts. Boston, MA: WGBH-TV, 1974.
Herskowitz, Richard. Media Buff: Media Art of Buffalo Being In Between, Edited by Richard Herskowitz. Ithaca, NY: Herbert F. Johnson Museum of Art, 1988.
Herskowitz, Richard. The School of Experimental Viewing. From the Edison Black Maria Film and Video Festival., 1991.
Herzogenrath, Wulf. Video Tapes. In German and English. Kolnischer Kunstverein., 1974.
Hess, John, and Patricia Zimmermann. "Transnational Documentaries: A Manifesto." Afterimage (1997).
High, Kathy, and Ralph Hocking. A Closer Look: Hidden Histories - Radical Learning, Radical Perception The History of the Experimental Television Center. San Francisco, CA: NAMAC, 2005.
Hightower, John B.. NYS Council on the Arts 1969-70: Executive Director's Statement. NY, NY: New York State Council on the Arts, 1970.
Hill, Chris. Attention! Production! Audience!: Performing Video in its First Decade, 1968-1980.. Chicago: Video Data Bank, 1995.
Hill, Chris. "(Re)performing the Archive: Barbara Lattanzi and Hollis Frampton in Dialog." Millennium Film Journal No. 39/40, no. No. 39 / 40 (2003).
Hocking, Sherry Miller. "Saving the Images: A Report from the Looking Back/Looking Forward Symposium." The Squealer 13, no. 2 (2002).
Hocking, Sherry Miller. "Reflections from Owego." The Squealer (1990).
Hocking, Sherry Miller. "The Evolution of Thinking Machines." The Squealer (2004).
Hocking, Sherry Miller. "The Evolution of Thinking Machines." The Squealer 15, no. 1 (2004).
Hocking, Sherry Miller. Landscape: Mediated Views. Rochester, NY: Visual Studies Workshop, 1998.
Hocking, Ralph. G.R.I.D. - Works. Elmira, NY: The Arnot Museum, 1986.
Hocking, Ralph. Motion: An Exhibition of Essentialist Film and Video. - Artist Statement. Utica, NY: Munson-Williams-Proctor Arts Institute, 1999.
Hocking, Sherry Miller. Bibliography. Appendix to the Experimental Television Center Equipment Operating Manuals. Binghamton, NY: Experimental Television Center, 1983.
Hollie, Paul. "Hocking is "Champion of the Arts"." unknown (1989).
Hornbacher, Sara. Artist's Video I: Video in the Boroughs. NY: Locus Communications and BACA, 1983.
Hornbacher, Sara. "Editor's Statement." Video: The Reflexive Medium Issue Fall, no. 1985 (1985).
Hornbacher, Sara. Video: The Reflexive Medium - Editor's Statement, Edited by Sara Hornbacher. NY, NY: College Art Association, 1985.
Hornbacher, Sara. Artist's Video II: Video in the Boroughs. NY: Locus Communications, 1983.
Hudlin, Warrington, and George P. Cunningham. Black Filmmakers, Black Audiences, and Public Television Programming: An Examination of Issues and Options for the Future. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.