Biblio
Suggestions Toward a Small Video Facility. San Francisco, CA: National Center for Experiments in Television at KQED, undated.
The Cinema as Art. Harmondsworth, Middlesex, England: Penguin Books Ltd., 1965.
Stay Tuned: A Concise History of AmericanBroadcasting. Belmont, CA: Wadsworth, 1978.
Support of Television Arts by Public Funding: The New York State Council on the Arts in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Jon Burris Interviews Gerd Stern., 1978.
Bringing Video Art to the TV Screens." (1976).
"Nam June Paik: Video Time - Video Space, Edited by Toni Stooss. New York, NY: Harry N. Abrams Inc., 1993.
Techno-Intuitive Video Exploration at CalArts." Videography 10, no. 10 (1985).
"Say I Am: Feminist Performance Video in The 70's." Afterimage 13, no. 4 (1985).
"Electronic Music: systems, techniques, and controls, Second Edition.. Dubuque, Iowa: Wm. C. Brown Company Publishers, 1972.
Tape Home Movies for Your TV Screen." Popular Mechanics, no. November (1965).
"Visual Music: Synaesthesia in Art and Music Since 1900. Smithsonian Institution and Museum of Contemporary Art (Los Angeles)., 2005.
"Video Art Issue." Studio International, no. 191 (1976).
John Sturgeon: Two Video Installations. Long Beach Museum of Art, 1977.
Imaging postmemory/renegotiating history." Afterimage (1999).
"The Gentrification of Video." Afterimage 13, no. 4 (1988).
"Temporal Interventions: The Videotapes of Bill Viola." Afterimage 10, no. 40545 (1984).
"Steina and Woody Vasulka: Machine Media, Edited by Marita Sturken. San Francisco, CA: San Francisco Museum of Modern Art, 1996.
James Byrne's Video Projects: The Aesthetics of the Subject." Afterimage 10, no. 9 (1984).
"Technological Visions: The Hopes and Fears that Shape New Technologies, Edited by Marita Sturken, Douglas Thomas and Sandra J. Ball-Rokeach. Philadelphia, PA: Temple University Press, 2004.
TV As a Creative Medium: Howard Wise and Video Art." Afterimage 11, no. 10 (1984).
"Video as a Performance Medium." Sightlines 16, no. 3 (1983).
"A Narrative Conceit: From the Academy to the Avant Garde." Afterimage 9, no. 9 (1982).
"The Past Quarter Century and the Next Decade of Videotape Recording." SMPTE Journal 101, no. 1 (1992).
"Festival of Alternatives in the Arts. Binghamton, NY: SUNY Binghamton, 1982.
The Electronic Gallery. Owego, NY: SUNY Binghamton & The Experimental Television Center, 1983.
Supradrive 500XP Harware Operator's Manual. Supra Corporation.. OR: Supra Corporation., 1990.
Computer Displays." Scientific American 222, no. 6 (1970): 57-76.
"Computer Inputs and Outputs." Scientific American (1966): 86-97.
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