Video History Project

Bibliography

2,988 records

  1. The Singer Co. GPL TV Systems Education & Training Products Group. GPL's New Color Video Tape Recorder: VR-400 Bibliography

    The Singer Co. GPL TV Systems Education & Training Products Group. GPL's New Color Video Tape Recorder: VR-400. Cover: In full color, the new recorder by Singer shines through an eyehole of this black-mask cover. Inside headings: Why this format?, Applications, Specifications, Features, and VTR, CCT…

  2. The Singer Company, Link Division. Singer GPL TV Systems. Portable Television Production Console, GPL MP100 Bibliography

    The Singer Company, Link Division. Singer GPL TV Systems. Portable Television Production Console, GPL MP100. Page 1 explains design. Pages 2-3 cover product description. Pages 4-5, Specifications and General Features. Page 6, contact information. Page 7, B&W photograph (low resolution).

  3. The Singer Company, Simulation Products Division. Architect's and Engineering Specifications: EIAJ-1 1/2" Video Tape Recorder Monochrome. VR-1 (hand-written) Bibliography

    The Singer Company, Simulation Products Division. Architect's and Engineering Specifications: EIAJ-1 1/2" Video Tape Recorder Monochrome. VR-1 (hand-written). Page 1, General Specifications. Page 3, Mechanical. Page 4, Electrical.

  4. The Singer Company. Singer Education & Training Products. MP-100 Studio Console Bibliography

    The Singer Company. Singer Education & Training Products. MP-100 Studio Console. A new concept in Television Production: The Singer MP-100 provides complete broadcast quality switching-fading, special effects generation, audio mixing, gen-lock, processing and waveform monitoring. Front: B&W photogra…

  5. The Sixth International Video Exchange Directory Bibliography

  6. The Social Production of Art Bibliography

  7. The Society of Mind Bibliography

    The Society of Mind. "270 brilliantly original essays on... how the mind works." Contents follow: Prologue, Wholes and Parts, Conflict and Compromise, The Self, Individuality, Insight and Introspection, Problems and Goals, A Theory of Memory, Summaries, Papert's Principle, The Shape of Space, Learni…

  8. The Sony System, Product Catalog Bibliography

    Sony Corporation of America. The Sony System, Product Catalog. Inside cover features the SONY SMC-70 Microcomputer with description and photograph. Folder also includes four configurations (basic, expanded memory, 16 bit, and the fully expanded). Inside back cover holds Application Software, Account…

  9. The Spaghetti City Video Manual: A Guide to Use, Repair and Maintenance Bibliography

    Comprehensive guide to tools.

  10. The Spectacle of Image Bibliography

  11. The Sponsor: Notes on a Modern Potentate Bibliography

  12. The State of the Art Bibliography

  13. The Story Behind Organized Art Bibliography

  14. The Story of WGBH New Television Workshop Bibliography

  15. The Structure of Art Bibliography

  16. The Subject of Feminist Film Theory/Practice Bibliography

  17. The Success of the Failure of Video Art Bibliography

  18. The Sustainability of Video Art: Preservation of Dutch Video Art Collections Bibliography

    In the early 19902 the Netherlands Media Art Institute, Montevideo/Time Based Arts began research into the preservation of video art. By 2003 a substantial portion of the video art in public collections has been preserved. Contents: Project Preservation Video Art. Preservation Method and technique. …

  19. The Synapse Media Center: An Object Lesson in Closing an Artists' Organization Bibliography

  20. The Tapes are Disappearing Preservation

    Account of the deterioration and neglect of independently produced videotape since the 1960s, tracing preservation concerns to NEA support for the American Film Institute and the early Film and Television Archives Advisory Committee (later AMIA); it documents the finite lifespan of videotape, the dispersal of collections, and limited resources for care. The text lists preservation initiatives including BAVC’s 1995 remastering facility, IMAP’s 1999 founding, key publications and conferences, and announces a May 2002 symposium to address remastering, economics and collection assessment; named participants and funders include Deirdre Boyle, Debby Silverfine, Luke Hones, Mona Jimenez, the Library of Congress, NYS Council on the Arts and the Getty Foundation.

  21. The Tarbell Floppy Disk Interface Bibliography

    The Tarbell Floppy Disk Interface includes Overview, Theory of Operation, Assembling the Interface Board, Setting the Jumpers, Checkout, Firmware and Drivers, Reference Information. Price Information.

  22. The Technique of Kinetic Art Bibliography

    The Technique of Kinetic Art. Contents follow: Part I (Vision and perception, Illusion, and Illusory movement), Part II (Light and simple optics, Colour, and The use of light), Part III (Control of light: mechanical, Control of light: electro-mechanical, Control of light: electronic, and Basic circu…

  23. The Technological Imagination: Theories and Fictions. Madison, Wis.: , 1980 Bibliography

  24. The Television Establishment, the Independent Producer and the Search for Diversity. Presented at the Conference Television Makers and Public Communications Policy Bibliography

    The Television Establishment, the Independent Producer and the Search for Diversity. Presented at the Conference Television Makers and Public Communications Policy

  25. The Television Laboratory News Groups

    The TV Lab at Thirteen was established in 1972 to develop television as an art form and ran Artist-In-Residence programs enabling video artists, choreographers, painters and graphic artists to work with portable tape equipment, synthesizers, lasers and computers and collaborated with Nam June Paik. The Lab administers the Independent Documentary Fund, created in fall 1977 with a $500,000 grant from the Ford Foundation and the National Endowment for the Arts; IDF grants were first awarded February 1978 and funded works screened on PBS in NON-FICTION TELEVISION (premiered February 1979). The Lab announced a national weekly beginning April 4, 1980; David Loxton served as Director.