- Video as Art Bibliography
Video as Art. An exploration of the creative possibilities of a medium which transcends its technological origins to become a vehicle for artistic expression. This brochure/poster shows six days consisting of the following events: Opening Reception, Peer Bode Presentation and Screening, Megan Robert…
- Illuminating Video: An Essential Guide to Video Art Bibliography
Foreward by David Ross; articles by Deirdre Boyle, John Handhardt, Marita Sturken, Ann-Sargent Wooster, Coco Fusco, Martha Gever, Martha Rosler. Sections on History, Furniture/Sculpture/Architecture, Audience/Reception, Syntax and GGenre, Telling Stories. Extensive bibliography.
- Video History: Making Connections - Panels
Panels on Saturday, October 17, 1998, under Video History: Making Connections covered early digital photography, writing about video, tool development and restoration, distribution and teaching video history. The Pioneers of Digital Photography session related to an Open Space Gallery exhibition in Allentown, PA, in summer 1998 co-sponsored with Light Work. Presenters included Mary Ross; Paul Ryan; Jim Lindner (President, VidiPax), who traced magnetic materials from wire recording to the present; and representatives of DCTV, Paper Tiger TV and KAKO discussing activist video.
- David Hall People
Bibliography (2002–2010) lists books, articles and an online entry related to video art, including Film Art Phenomena (Nicky Hamlyn, British Film Institute, 2003); Everything Seemed Possible (Richard Cork, Yale University Press, 2003); Video Art: A Guided Tour (Catherine Elwes, I.B. Tauris, 2005); A History of Video Art (Chris Meigh-Andrews, Berg, 2006); and 100 Video Artists (EXIT Publications/FundaciÛn ICO, 2010). Selected exhibitions (2003–2006) document presentations and installations at Tate Britain, FACT Liverpool, Galeria Wschodnia and Polish universities, De La Warr Pavilion, Dundee Contemporary Arts and Museo Nacional Centro de Arte Reina Sofia (Madrid), and include thematic video- and television-focused shows such as First Generation: Art and the Moving Image 1963-1986, Test Transmissions and Analogue (touring until 2008).
- Tracking Video Art: Image Processing as a Genre Bibliography
Lucinda Furlong, Curatorial Assistant in the Whitney Museum of American Art's Film and Video Department, traces the emergence of image processing as a distinct video-art genre from the late 1960s through the mid-1970s; she examines terminology, aesthetic debates, and the modernist and formalist impulses that shaped the work. The text documents early tool-builders and artists (Dan Sandin, Steina and Woody Vasulka, Eric Siegel, Stephen Beck, Bill Etra, Steve Rutt, Nam June Paik and Shuya Abe), key technologies (video synthesizers, Sandin Image Processor, Rutt-Etra, Moog, Z-Grass), institutions (Whitney Museum, Radical Software, Experimental Television Center, SUNY Binghamton, University of Illinois Circle Campus) and funding developments including a $50,000 NYSCA grant to Hocking's Center.
- Conversation with Barbara London, David Ross and Constance Dejong at Hunter College Art Gallery Bibliography
Account of a panel conversation between Barbara London, David Ross and Constance DeJong at Hunter College Art Galleries presented in conjunction with The Experimental Television Center: A History, ETC... (Rose Goldsen Archive of New Media Art, Cornell Library; Sept 25–Nov 21, 2015). Panelists discussed histories of video and image-processing practices and named Nam June Paik, Bill Viola and Vito Acconci; Barbara London described efforts to bring video into MoMA and David Ross expressed skepticism toward some image-processed work. The attendee criticized the panel for limited attention to ETC artists, recorded Ross’s remark that one had to be stoned to watch image-processed work, and reflected on ETC technologies and practices including real-time patching, flow and works such as Global Groove and A Tribute to John Cage.