- Preserving the Immaterial: The Guggenheim Museum's Variable Media Initiative Preservation
On March 30–31, 2001 the Solomon R. Guggenheim Museum in New York hosted a conference introducing its Variable Media Initiative, led by Senior Curator John Hanhardt and Assistant Curator Jon Ippolito. The Initiative employs a detailed artist questionnaire to specify which aspects of ephemeral-media works must endure and to outline four strategies (reinterpreted, migrated, emulated, stored); sessions presented case studies by Ken Jacobs, Bruce Nauman, Nam June Paik and others. Discussions addressed tape remastering, machine obsolescence, performance fixity versus recording, and emulation for software preservation; JIM HUBBARD, author/contact.
- Footprints: Media Art by Philip Mallory Jones Bibliography
Footprints: Media Art by Philip Mallory Jones. Catalog includes Biography by Elizabeth K. Jackson, Ph.D., the Artist's Statement by Philip Mallory Jones, and Works in Exhibition. Institution/Organizer: Colgate University Site: Clifford Gallery Exhibition Dates: February 12- March 14, 2003 Artist(s):…
- Preserving the Immaterial: A Conference on Variable Media Chronology
Preserving the Immaterial: A Conference on variable Media convened at the Solomon R. Guggenheim Museum on March 30–31, 2001; it focused on the museum's Variable Media Initiative and examined case studies of artworks in ephemeral media, including photo collages, film performances, video installations and Web sites. Artists, curators, conservators and media experts debated strategies for safeguarding works against deterioration, technological obsolescence and cultural amnesia. The program was organized by John G. Hanhardt, Senior Curator, and Jon Ippolito, Assistant Curator, Film and Media Arts Program; studied artists included Jan Dibbets, Felix Gonzalez-Torres, Ken Jacobs, Robert Morris, Mark Napier, Nam June Paik and Meg Webster.
- Laurie Beth Clark People
Laurie Beth Clark was raised in New York City and holds a B.A., an M.A. in Visual Arts and an M.F.A.; since 1985 she has lived in Madison, Wisconsin, where she teaches Installation and Video and has held administrative roles. Her multidisciplinary practice uses video, performance, installation and multimedia to examine social issues; projects in Germany consider the holocaust and other genocides, and she is developing international research on trauma memorials and shopping environments. She received fellowships from Jerome and McKnight and published in anthologies such as A Performance Cosmology (Routledge, 2006).
- Melinda Barlow People
Melinda Barlow is Associate Professor at the University of Colorado at Boulder; she joined CU in 1996 after teaching at New York University, the School of Visual Arts, and Queens College, City University of New York. She edited Mary Lucier: Art and Performance (2000, Johns Hopkins University Press) and is a film and video historian specializing in contemporary independent women film and videomakers; her articles have appeared in journals including Camera Obscura and Art Journal. She received the Lyn Blumenthal Memorial Award and a CU Center for the Humanities and the Arts Fellowship in 2005; she founded the Leah Kelly Memorial Award and has a forthcoming book, Lost Objects of Desire (University of Minnesota Press).
- Martha Rosler People
Martha Rosler lives and works in New York; her videos, photo-texts, installations and performances have been presented at documenta (Kassel, Germany), several Whitney Biennials and major institutions in London and New York. A 2000 retrospective toured five European cities and New York (New Museum of Contemporary Art; International Center of Photography); in Fall 2006 she is participating in the Hannah Arendt Denkraum in Berlin and her work will be on view at the 2007 Skulptur Projekte in M¸nster, Germany and at Saigon Open City, the first biennial in Vietnam.