Bibliography

Lectrotech Instruction Manual for Model V-7 Color Generator and Vectorscope Bibliography

Lectrotech Instruction Manual for Model V-7 Color Generator and Vectorscope. Illustrated with descriptions and screen shots.

Lenco PBB-321B Black Burst Generator Instruction Manual; PSD-340B System Delay Module; PCB-320 Color Bar Generator; PVA-350 Video Distribution Amplifier; PSG-310 Sync Generator; PFM-300B and PPS-302 Frame and Power Supply Bibliography

Lenco PBB-321B Black Burst Generator Instruction Manual; PSD-340B System Delay Module; PCB-320 Color Bar Generator; PVA-350 Video Distribution Amplifier; PSG-310 Sync Generator; PFM-300B and PPS-302 Frame and Power Supply . Illustrated with schematics and parts lists.

Les Immateriaux Bibliography

Les Levine's Conceptual Art Bibliography

Les videos de Thierry Kuntzel Bibliography

Lessons for Localism from the Censorship Wars Bibliography

Essay argues that corporate domination of cultural forms accelerated in the 1980s and that this shift produced political conflicts over censorship and funding; it links the US withdrawal from UNESCO in 1984 and Jesse Helms's censorship campaign to a corporate project to privatize information and undermine the public sector. The author cites Herbert Schiller and Colleen Roach on telecommunications, privatization and transnational corporate interests; describes how postmodernity and multiculturalism fractured a four-way arts coalition and exposed arts organizations to financial warfare. The piece urges artists and regional/local movements to oppose transnational corporate consumerist hegemony while using corporate information networks; it predicts that video and data networking will transform the geographic basis of localism.

Letter concerning a conference on the electronic image for the musee d'art contemporain Bibliography

Letter concerning Anthology Film Archives Bibliography

Letter concerning Jackson Maclow exhibition at Anthology Film Archives. Tree Movie was partly created through the Residency Program at Experimental Television Center Bibliography

Tree Movie created at the Experimental Television Center in 1972 and exhibited at Anthology Film Archives in 1974 was eventually acquired by Museo Nacional Centro de Arte Reina Sofía,

Letter Concerning Residency Program at ETC Bibliography

Synapse Video Center. Experimental Television Center

Letter exploring development of a video synthesis system for the Washington DC Community Video Center Bibliography

Letter from David Ross of the Everson Museum to Experimental Television Center Bibliography

Letter from Italy Bibliography

Letter from Joan Jonas to Experimental Television Center Bibliography

Letter from White Ox requesting works for exhibition Bibliography

Letter of inquiry for a residency at the Experimental Television Center by Montreal video artist Boyer Bibliography

Letter of invitation to Ralph Hocking and Nick Ray to work at the TV Lab at WNET Bibliography

Letter Regarding VideoLab Bibliography

Cover letter to Woody Vasulka from electronic engineer William Hearn from EAB regarding Vasulka's interest in the VideoLab Colorizer; product literature enclosed. Mentions Edin Velez (of MPCS).

Letter to David Dowe Bibliography

National Center for Experiments in Television (NCET) reports, no date; David Dowe was head of the Dallas Center for Experiments in Television

Letter to Paul: excerpts from a video-taped discussion Bibliography

excerpts from a video-taped discussion on November 31, 1970. Listing of videotapes created in 1970, 1971. Documentation of Right Left, a listing of equipment used in video classes (1971). To Students/Artists who are making television (Mar 1971).

Letter to Ralph Hocking Bibliography

Letter to Ralph Hocking; Highlights from Cannes - Nicholas Ray - You Can't Go Home Again. April 1, 1972 Letter from Nick Ray to Ralph Hocking concerning production on You Can't Go Home Again - an experimental film by Nick Ray, was partly created at the Experimental Television Center.

Letters and Correspondence Bibliography

Libraries Bibliography

Light and Darkness in the Electronic Landscape: Some Aspects of the Video Image Tools

Barbara Buckner's lecture, presented at the Collective for Living Cinema in February 1978, analyses the video image's technological and aesthetic properties, describing electron-beam scanning (525 horizontal lines, 30 frames/second, two fields per frame, 1/60th second vertical retrace), tape recording, monitors and sync pulses. She contrasts video and film, discusses video image processors and computer-based video synthesizers (citing Donald E. McArthur, Experimental Television Center, June 1977) and considers implications for storage, automated composition and the artist's role in machine-assisted image-making.

Light Distances: An Eyewitness Report. In At Arm's Length (Osborn) which see Bibliography