Electronic Arts Series: January - May 1977. Buffalo, NY: Media Study/Buffalo, 1977.

Design / Electronic Arts Poster. Buffalo, NY: Media Study Buffalo, 1977.

Sundell, Nina. CAPS/ICI 1981 Travelling Video Festival. NY, NY: ICI, 1981.

London, Barbara. Bill Viola: Installations and Videotapes The Poetics of Light and Time, Edited by Barbara London. NY, NY: The Museum of Modern Art, 1987.

Astral Projections: A Polyfusion of Media. Rochester, NY: Visual Studies Workshop, 1974.

Hornbacher, Sara. Artist's Video II: Video in the Boroughs. NY: Locus Communications, 1983.

Hornbacher, Sara. Artist's Video I: Video in the Boroughs. NY: Locus Communications and BACA, 1983.

Nesthus, Marie. A Birthday Celebration for Doris Chase Painter, Sculptor, Film/Video Pioneer. Program Notes for Exhibition.. NY, NY: Donnell Media Center, 2003.

Brown, George, and David Dunn. "Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: George Brown, Video Sequencer (a.k.a. Field Flip/Flop Switcher, with digital control), 1972, Multikeyer (Analog with digital control), 1973. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art, .", 1992.

Minkowsky, John. The Videotapes of Tony Oursler., 1985.

Hornbacher, Sara. Video: The Reflexive Medium - Editor's Statement, Edited by Sara Hornbacher. NY, NY: College Art Association, 1985.

Friis-Hansen, Dana. Video-Music: New Correlations. NY: Whitney Museum of American Art, Downtown Branch, 1982.

Herzogenrath, Wulf. Video Tapes. In German and English. Kolnischer Kunstverein., 1974.

Gill, Johanna. Video: State of the Art. NY, NY: Working Papers, The Rockefeller Foundation, 1976.

Tennant, Carolyn. Video Rewind: A Seminar on Early Video History with Deirdre Boyle, Barbara London, Paul Ryan and Perry Teasdale., Edited by Carolyn Tennant. ETC, 1998.

Boyle, Deirdre. Video Preservation: Securing the Future of the Past. NY, NY: Media Alliance, 1993.

Bode, Peer. UBER ORGAN ( body of life )., 2003.

Minkowsky, John. Two Early Video Portraits. One-Eyed Bum by Andy Mann (1974, 6 minutes, b/w, sound). Ama L'uomo Tuo (Always Love Your Man) by Cara DeVito (1974, 20 min. b/w, sound)., 1978.

Transcript from The International Video Art Symposium. Kingston, Ontario, Canada: Agnes Etherington Art Centre, Queens Univeristy. Fleming., 1979.

Culler, Jeremy. Toward a Noncommercial Technology: The Development of Image-Processed Video in the 1960s and 1970s. FL: self-published, 2004.

Day, James. The Television Establishment, the Independent Producer and the Search for Diversity. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.

Sherman, Tom. The Premature Birth of Video Art. Syracuse, NY: self-published, 2007.

Sturken, Marita. The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices. University of Minnesota Press, 1996.

Sanz, Luciana. The Language of Video., undated.

Reilly, John. The Independents, Media Arts Centers and Public Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.

The Film., undated.

Dordick, H. S.. The Emerging Technologies and the Nation's Demographics: Telecommunications Programming Opportunities. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.

The Electronic Image: A Touring Workshop by Ralph Hocking and the Experimental Television Center. Albany, NY: Statewide Programs in the Arts, 1979.

The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.

Quasha, George. The Dialogical Mode., 1982.