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bibliographic
New York State Council on the Arts Annual Report 1982-83. Reports by Film and Media Programs.. New York, New York: New York State Council on the Arts, 1983.
Aigner, Hal. "Home on the Tube: The Immediate Future of Video Free America." City Magazine (1973).
Skoller, Jeffrey. "Home sweet home - Abigail Child's 1996 documentary film 'B/side'." Afterimage (1998).
Fell, John L.. Film: An Introduction. New York, NY: Praeger Publishers, 1975.
MonteVideo Art Foundation. Amsterdam, Holland, 1986.
Beck, Stephen. Video Synthesis in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Sony Corporation of America. Sony Video Communications. SMC-70G Genlocker, Microcomputer with Genlock Capability.. Park Ridge, NJ: Sony Corporation of America., 1984.
Catalog of Plating Equipment with Advanced Engineering for Electronics, Space, Missile, and the General Plating Industries. Los Angeles, CA: HBS Equipment Division, undated.
McIntosh MC 2505 Solid State Stereo Amplifier Sales Literature; MX 112 Stereo Tuner and Control Center.. Binghamton, NY: McIntosh Laboratory, Inc., undated.
"various." Artforum 11, no. 5 (1973): 1-95.
Sony EV-200 One Inch Videocorder and dated Sales Cover letter., 1966.
Gustafson, Julie. The Global Village Handbook for Independent Producers and Public Television, Edited by Julie Gustafson. NY: Global Village Video Resource Center, 1981.
Panasonic VTR/CCTV Product Catalog (3 copies)., undated.
Chase, Doris. "Request to use Experimental TV Center. May 30, 1973." (1973).
Thomson, Patricia. "Under Fire on the Home Front: An Interview With Jon Alpert." Afterimage 14, no. 19 (1987).
IVC Owner's Reference Manual for IVC-800 Color Video Recorder.. Mountain View, CA: International Video Corporation, 1969.
Nichols, Bill. Ideology and the Image: Serial Representations in the Cinema and Other Media. Bloomington: Indiana University Press, 1981.
Bronson, A. A., and Peggy Gale. Performance by Artists, Edited by A. A. Bronson. Toronto: Art Metropole, 1979.
Tekscope. Volume 7, Number 4.. Beavertown, OR: Tektronix., 1975.
Hoptman, Laura. "The Center Will Not Hold: The Other New York - Regional Reflections." Afterimage 15, no. 3 (1987).
Roland. Roland. MicroComposer MC-202: Owner's Manual.. Roland., 1983.
De Jong, Constance. "In Between the Dark and the Light Television/Society/Art: A Symposium)." Artforum 19, no. 5 (1981).
Poster for broadcast on WNET of "Global Groove". October 2, 1974., 1974.
Hearn, William. 77 Videolab Module Wiring. Berkeley, California: Electronic Associates of Berkeley, 1978.
Shamberg, Michael. Guerrilla Television. New York, NY: Holt, Rinehart and Winston, 1971.
CAPS/ICI 1979-80 Travelling Video Festival. NY, NY: ICI/ Creative Artists Public Service Program (CAPS), 1979.
"Art and the Technological Imperative: Special Section." Art & Cinema 3, no. 1 and 2 (1978).
Kerne, Andruid. "CollageMachine: An Interactive Agent of Web Recombination." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
Shibaden. TU19UL, Solid State 19 Inch Receiver/Monitor.. Japan: Shiba Electric Co., LTD., undated.
Jenkins, Bruce. "A Case Against 'Structural Film." Journal of the University Film Association 33, no. 2 (undated).

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