Biblio
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Granular Synthesis., undated.
The Art Style Computer Processing System. Toronto, Ontario, 1974.
Cage: A Filmic Circus on Metaphors on Vision An Interview with Film Artist Lawrence Brose." Afterimage (2004).
"TechArcheology: A Symposium on Installation Art Preservation." MAIN, no. Winter 2000 (2000).
"Productive Unclarities - An interview with media artist Barbara Lattanzi." Springerin 4, no. 1 (2001).
"Interview mit dem Medientheoretiker Gerald O'Grady. In German." Springerin, no. 3 (2000).
"Net.art: Shedding the Utopian Moment?" Link 7 (2001).
" Black Dog Dreams., 1999.
Jones Modular Video Synth., 2011.
Art Statement., undated.
Conversation with Barbara London, David Ross and Constance Dejong at Hunter College Art Gallery In matthewschlanger.com., 2015.
ETC Memories. NY, NY: Art in General, NY and Mobius, Boston, 1997.
The Language of Video., undated.
" The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Work from the Experimental Television Center: Introduction and Daily Performance Schedule. Syracuse, NY: Everson Museum of Art, 1972.
David Ross: The Success of the Failure of Video.. ETC, 1998.
Pioneers of Digital Photography. Allentown, PA: Open Space Gallery, 1998.
Videotape: Video Design and Modification - George Brown.", no. June 1977 (1977).
"Interview with Jud Yalkut. Syracuse, New York: Syracuse New Times, 1972.
Everson Video 1975, Edited by Judson Rosebush. Syracuse, NY: Everson Museum of Art, 1976.
Preserving the Rhizome ArtBase. NY, NY: Rhizome, 2002.
Preserving the Rhizome ArtBase." Rhizome (2002).
"Rhizome ArtBase Management Policy. NY, NY: Rhizome, 2002.
The Independents, Media Arts Centers and Public Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Constructing Eternity: An Interview with Van McElwee." Afterimage Vol. 28, no. No. 1 (2000).
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