Biblio

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bibliographic
1996 Annual Mill Valley Film Festival Souvenir Program. Mill Valley, CA: Mill Valley Film Festival, 1996.
Larson, Roger, and Paula Jarowski. Catalog IV: Film/ Video Arts, Edited by Laura Hoptman. New York, NY: Film/ Video Arts, Inc., 1985.
Sandin, Daniel. Video Synthesis Studio Background Information- Technical Capabilities: Sandin Image Processor and Peripheral Equipment Useful in Supporting the Image Processor, Edited by Jon Burris. Film/Video Arts, Inc., 1985.
Paik, Nam June. "Afterlude to the Exposition of Experimental Television." (1964): Section 2.
Curti, Denis, and Giovanni Pelloso. Recinti: Tell-a-Vision. Torino, Italy: Fondazione Italiana per la Fotografia, 1999.
FOR.A Operation and Service Manual for Digital Time Base Corrector FA-210. Tokyo, Japan: FOR.A Company Ltd., undated.
FOR.A Operation and Service Manual for Dual Channel Digital Time Base Corrector FA-700. Tokyo, Japan: FOR.A Company Ltd., undated.
Forde, Kathleen. What Sound Does a Color Make?. NY, NY: Independent Curators International, 2005.
Foreman, Richard. Unbalancing Acts: Foundations for a Theater., undated.
Forest, Fred. New Technologies Sensible Art for an Aesthetics of Communication, Edited by Elke Panten. Bornel, France, 1985.
Foresta, Don. "Video and the Theory of Relativity." Catalogue of the 12 Biennale of Paris (1982).
Foster, Hal. The Anti-Aesthetic. Washington, 1983.
Foster, Hal. Recodings: Art, Spectacle, Cultural Politics. Seattle: Bay Press, 1985.
Foster, Hal. "Between Modernism and the Media." Art in America 70, no. 6 (1982).
Foster, Hal. In The Anti Aesthetic: Essays on Postmodern Culture Port Townsend, Wash.: Bay Press, 1983., Edited by Hal Foster., undated.
Fostex. Fostex DCM100 MIXTAB Midi Mixer/Mixer Tablet Owner's Manual (2 copies). Tokyo, Japan: Fostex, 1991.
Foucault, Michel. The Archaeology of Knowledge. New York:: Harper and Row, 1972.
Fox, Michael J., and Peter Wilkerson. Suzanne L. R. edited by Warren. Introduction to Archival Organization and Description: Access to Cultural Heritage. Getty Information Institute, 1998.
Fox, David, and Mitchell Waite. Computer Animation Primer. http://www.atariarchives.org/cap/index.php, 1984.
Frampton, Hollis. Circles of Confusion: Film, Photography, Video, Texts 1968-1980. Rochester: Visual Studies Workshop, 1983.
Frampton, Hollis. The Withering Away of the State of the Art in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Frankenstein, Alfred. "Some Video Sculptures." San Francisco Chronicle (1973).
Frankenstein, Alfred. "The Davis Tapes - New Art Form at Santa Clara. Sunday October 21, 1973." This World (1973).
Freed, Hermine. "Video and Abstract Expressionism." Arts Magazine 49, no. 4 (1974).
French-Frazier, Nina. "Juan Downey: Chilean Ulysses." Artweek 7, no. 11 (1976).
French-Frazier, Nina. "Lonidier and Steinmetz: Investigation and Introspection." Artweek 7, no. 17 (1976).
Fried, Michael. "Art and Objecthood." Artforum 5, no. 10 (1967).
Fuller, Leslie. Light Distances: An Eyewitness Report. In At Arm's Length (Osborn) which see.., 1990.
Furlong, Lucinda. Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents, Edited by Lucinda Furlong. New York, NY: The New York State Council on the Arts, 1994.
Furlong, Lucinda. "Getting High Tech: The New Television." The Independent 8, no. 2 (1983).

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