Biblio

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French Video Art. Paris: Center for Media Art , The American Center, undated.
From to , Takahiko Iimura. Rome, Italy: The Japan Foundation, 1997.
McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. RAND, 2002.
McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. Rand Corporation, 2002.
Buchloh, Benjamin H. D.. "From Gadget Video to Agit Video in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Boyle, Deirdre. "From Portapak To Camcorder: A Brief History Of Guerrilla Television." Journal of Film and Video 44, no. 1 – 2 (40545) (1992).
Geller, Matthew, and Reese Williams. From Receiver to Remote Control: The TV Set, Edited by Matthew Geller. New York, NY: The New Museum of Contemporary Art, 1990.
Popper, Frank. From Technological to Virtual Art. MIT Press, 2007.
Sharp, Willoughby. "From Teenage Monk to Video Bareback Rider: Paul Ryan." Video 80 2, no. 1 (1981).
Simmons, Richard. From the Academy to the Avant Garde. Rochester, NY: Visual Studies Workshop, 1981.
Tsuchiya, Arthur. From the Academy to the Avant Garde - Introduction. Rochester, NY: Visual Studies Workshop, 1981.
Simmons, Richard. From the Academy to the Avant Garde - The Family Jewels. Rochester, NY: Visual Studies Workshop, 1981.
Sandin, Dan. From the Distribution Religion - Notes on the Aesthetic of Copying an Image Processor., undated.
Front Panel Diagram for Rutt/Etra Video Synthesizer. unknown, undated.
Shaw, Jeffrey. Future Cinema : The Cinematic Imaginary After Film (Electronic Culture: History, Theory, and Practice), Edited by Jeffrey Shaw and Peter Weibel. MIT Press, 2003.
Sorensen, Vibeke. Future Tense: Arts Education Technology. http://visualmusic.org/vibeke, 1991.
Lewis, Louise. "Future Video: Max Almy." LAICA Journal 38 (1983).
Daedalus. "Futures." Daedalus. Summer (1987).

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