Biblio

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SONY. Trinitron Color Monitor, KX-4200/ ACP-420. US Model: Chassis No. SCC-575A-A. Canadian Model: Chassis No. SCC-600A-A.. Japan: Sony Corp., undated.
Jacobs, Ken, and Jack Smith. "Soundtack of "Blonde Cobra"." Kinemathek. 70, no. 22 (1986).
Southwest Technical Products Corporation. Operator Manual for the EX-1 Stereo Compressor- Expander.. San Antonio, TX: Southwest Tech. Products Corp., undated.
Jones, Dave. Special Effects Generator (SEG) I by Jones/ Sony. Binghamton, NY: Experimental Television Center, undated.
Hocking, Sherry Miller, Richard Brewster, Peer Bode, Hank Rudolph, and Matthew Schlanger. Special Effects Generator - excerpt from the Experimental Television Center Studio System Manual., 1980.
Spectron or Spectre Video Synthesizer., undated.
Sheridan, Lee. "Springfield Area Artists in Experimental TV Show." Springfield Daily News (1972).
Sterling, Christopher H., and John M. Kittross. Stay Tuned: A Concise History of AmericanBroadcasting. Belmont, CA: Wadsworth, 1978.
Sturken, Marita. Steina and Woody Vasulka: Machine Media, Edited by Marita Sturken. San Francisco, CA: San Francisco Museum of Modern Art, 1996.
Sturken, Marita. Steina and Woody Vasulka: Machine Media, Edited by Marita Sturken. San Francisco, CA: San Francisco Museum of Modern Art, 1996.
Riley, Robert, and Marita Sturken. Steina and Woody Vasulka: Machine Media. San Francisco, CA: San Francisco Museum of Modern Art, 1996.
Stern, Rudi. Stern Media Information., 1975.
Stephens, Richard, and Don Hallock. Suggestions Toward a Small Video Facility. San Francisco, CA: National Center for Experiments in Television at KQED, undated.
Stephens, Richard, and Don Hallock. "Suggestions Toward a Small Video Facility." National Center for Experimental in Television Reports 2 (undated).
Stern, Gerd. Support of Television Arts by Public Funding: The New York State Council on the Arts in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Supradrive 500XP Harware Operator's Manual. Supra Corporation.. OR: Supra Corporation., 1990.
Shine, Chris. SVID Use of Sandin IP., undated.
Syntauri Simply Music. Los Altos, CA: Syntauri, 1983.
T
Savage, Steve. "Take-Home Video Art." Videography 10, no. 8 (1985).
Slobode, Usvajanje. Taking Liberty: the second part of the international artists exchange program. Boston, MA: Mobius, 2000.
Streckler, Larry. "Tape Home Movies for Your TV Screen." Popular Mechanics, no. November (1965).
Seid, Steve. "TechArcheology: A Symposium on Installation Art Preservation." MAIN, no. Winter 2000 (2000).
Stout, David, and Bob Campbell. "Techno-Intuitive Video Exploration at CalArts." Videography 10, no. 10 (1985).
Sturken, Marita. Technological Visions: The Hopes and Fears that Shape New Technologies, Edited by Marita Sturken, Douglas Thomas and Sandra J. Ball-Rokeach. Philadelphia, PA: Temple University Press, 2004.
Sturken, Marita. Technological Visions: The Hopes and Fears that Shape New Technologies, Edited by Marita Sturken, Douglas Thomas and Sandra J. Ball-Rokeach. Philadelphia, PA: Temple University Press, 2004.
Sharp, Willoughby. "Telecommunications in the Space Shuttle Era." Video 80 1, no. 2 (1981).
Ascott, Roy. Telematic embrace : visionary theories of art, technology, and consciousness, Edited by Edward A. Shanken. Berkeley: University of California Press, 2003.
Simmons, Allison. Television and Art: A Historical Primer for an Improbable Alliance in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Sturken, Marita. "Television Fictions: An Interview with Ed Bowes." Afterimage 13, no. 10 (1986).
Sturken, Marita. "Temporal Interventions: The Videotapes of Bill Viola." Afterimage 10, no. 40545 (1984).

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