Biblio
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"The Production of Public Television issue." Wide Angle 16, no. 40545 (undated).
The Human Use of Human Beings: Cybernetics and Society. Boston: Houghton Mifflin Co., 1950.
The Sustainability of Video Art: Preservation of Dutch Video Art Collections, Edited by Gaby Wijers, Evert Rodrigo and Ramon Coelho. Amsterdam, Netherlands: Foundation for the Conservation of Modern Art, 2003.
Television: Technology and Cultural Form. NY: Schocken Books, 1974.
TV as a Creative Medium. NY, NY: Howard Wise Gallery, 1969.
The Social Production of Art. NY: New York University Press, 1984.
The Myths of Information: Technology and Postindustrial Culture, Edited by Peter Wollen. Madison, WI: CODA Press, 1980.
The Machinery of the Brain. New York, NY: McGraw- Hill Book Company, Inc., 1963.
"TV as a Creative Medium at Howard Wise Gallery." Arts Magazine 44 (1969).
"The Archetron Of Thomas Tadlock." The East Village Other 4, no. 31 (1969).
The Eidophor Television System., undated.
The Sackbut Blues: Hugh Le Caine Pioneering in Electronic Music.. Ottawa, Ontario, Canada: National Museum of Science and Technology, 1989.
The MERC Directory: A Listing of Independently Produced Film and Video Work Available for Distribution. NY, NY: Publishing Center for Cultural Resources, 1977.
"The New Renaissance: The Computer Revolution and the Arts." Exposure Vol. 21, no. No. 1 (1983).
"The New Renaissance: The Computer Revolution and the Arts." exposure: New Technology 21, no. 1 (1983).
"The Fine Art of Creating Life." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
The Interactive Show. Buffalo, NY: Artists Gallery, 1990.
The Interactive Show. Buffalo, NY: University of Buffalo, 1990.