Biblio
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The New Renaissance: The Computer Revolution and the Arts." exposure: New Technology 21, no. 1 (1983).
"Trent Harris: Beaver Trilogy." Film Comment (2000).
"Tracking Video Art: Image Processing as a Genre." Art Journal (1985).
"Television/Society/Art symposium, The Kitchen." Afterimage (1981).
"The Video Art of Takahiko Iimura." FILM AND VIDEO: Takahiko Iimura (1990).
"Taka Iimura's "I=YOU=HE/SHE". NY, NY: Whitney Museum of American Art, 1979.
Talking to Myself: Phenomenological Operation." Anthology Film Archives Notes (1990).
"The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices. University of Minnesota Press, 1996.
The Kitchen." Videoscope 1, no. 2 (1977).
"The Film., undated.
The Passing of an Era: Boston Film/Video Foundation." MAIN, no. Spring (2004).
"The Emerging Technologies and the Nation's Demographics: Telecommunications Programming Opportunities. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
The Evolution of Thinking Machines." The Squealer (2004).
"The Gate Theater." Artscanada (1967).
"Transcript from The International Video Art Symposium. Kingston, Ontario, Canada: Agnes Etherington Art Centre, Queens Univeristy. Fleming., 1979.
The Electronic Image: A Touring Workshop by Ralph Hocking and the Experimental Television Center. Albany, NY: Statewide Programs in the Arts, 1979.
The Passion for Perceiving: Expanded Forms of Film and Video Art in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
"The New Sleep: Stasis and the Image-Bound Environment." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
"The Video Stretch." Daily News (1973).
"The Incredible Animation Machine." Videography 2, no. 11 (1977).
"The Premature Birth of Video Art. Syracuse, NY: self-published, 2007.
The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Television Establishment, the Independent Producer and the Search for Diversity. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Independents, Media Arts Centers and Public Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Case for a Center for Independent Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Language of Video., undated.
Toward a Noncommercial Technology: The Development of Image-Processed Video in the 1960s and 1970s. FL: self-published, 2004.
The Dreme-Style Michael L.V. Butler and His Circle . The Program. Syracuse, NY: Everson Museum, 1976.