Biblio

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Youngblood, Gene. "The New Renaissance: The Computer Revolution and the Arts." exposure: New Technology 21, no. 1 (1983).
Chang, Chris. "Trent Harris: Beaver Trilogy." Film Comment (2000).
Furlong, Lucinda. "Tracking Video Art: Image Processing as a Genre." Art Journal (1985).
Furlong, Lucinda. "Television/Society/Art symposium, The Kitchen." Afterimage (1981).
Chin, Daryl. "The Video Art of Takahiko Iimura." FILM AND VIDEO: Takahiko Iimura (1990).
Hanhardt, John. Taka Iimura's "I=YOU=HE/SHE". NY, NY: Whitney Museum of American Art, 1979.
Iimura, Takahiko. "Talking to Myself: Phenomenological Operation." Anthology Film Archives Notes (1990).
Sturken, Marita. The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices. University of Minnesota Press, 1996.
Landnzan, Katherine. "The Kitchen." Videoscope 1, no. 2 (1977).
The Film., undated.
Stein, Anne-Marie. "The Passing of an Era: Boston Film/Video Foundation." MAIN, no. Spring (2004).
Dordick, H. S.. The Emerging Technologies and the Nation's Demographics: Telecommunications Programming Opportunities. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
Mikas, Matt. Tune (In))): Radio Community in Microcosm., 2004.
Hocking, Sherry Miller. "The Evolution of Thinking Machines." The Squealer (2004).
Tambellini, Elisa. "The Gate Theater." Artscanada (1967).
Transcript from The International Video Art Symposium. Kingston, Ontario, Canada: Agnes Etherington Art Centre, Queens Univeristy. Fleming., 1979.
The Electronic Image: A Touring Workshop by Ralph Hocking and the Experimental Television Center. Albany, NY: Statewide Programs in the Arts, 1979.
Hanhardt, John. "The Passion for Perceiving: Expanded Forms of Film and Video Art in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Collins, Tricia, and Richard Milazzo. "The New Sleep: Stasis and the Image-Bound Environment." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Leogrande, Ernest. "The Video Stretch." Daily News (1973).
Tajchman, E. J.. "The Incredible Animation Machine." Videography 2, no. 11 (1977).
Sherman, Tom. The Premature Birth of Video Art. Syracuse, NY: self-published, 2007.
Ruiz, Jose Luis. The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Day, James. The Television Establishment, the Independent Producer and the Search for Diversity. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Reilly, John. The Independents, Media Arts Centers and Public Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
DeMartino, Nick. The Case for a Center for Independent Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Minkowsky, John. Two Early Video Portraits. One-Eyed Bum by Andy Mann (1974, 6 minutes, b/w, sound). Ama L'uomo Tuo (Always Love Your Man) by Cara DeVito (1974, 20 min. b/w, sound)., 1978.
Sanz, Luciana. The Language of Video., undated.
Culler, Jeremy. Toward a Noncommercial Technology: The Development of Image-Processed Video in the 1960s and 1970s. FL: self-published, 2004.
Butler, Michael L. V.. The Dreme-Style Michael L.V. Butler and His Circle . The Program. Syracuse, NY: Everson Museum, 1976.

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