Biblio

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Book
Supradrive 500XP Harware Operator's Manual. Supra Corporation.. OR: Supra Corporation., 1990.
Shine, Chris. SVID Use of Sandin IP., undated.
Syntauri Simply Music. Los Altos, CA: Syntauri, 1983.
Sturken, Marita. Technological Visions: The Hopes and Fears that Shape New Technologies, Edited by Marita Sturken, Douglas Thomas and Sandra J. Ball-Rokeach. Philadelphia, PA: Temple University Press, 2004.
Sturken, Marita. Technological Visions: The Hopes and Fears that Shape New Technologies, Edited by Marita Sturken, Douglas Thomas and Sandra J. Ball-Rokeach. Philadelphia, PA: Temple University Press, 2004.
Ascott, Roy. Telematic embrace : visionary theories of art, technology, and consciousness, Edited by Edward A. Shanken. Berkeley: University of California Press, 2003.
Simmons, Allison. Television and Art: A Historical Primer for an Improbable Alliance in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
and Sanders, Don Susan. The American Drive-In Movie Theatre. Hong Kong, Hong Kong: World Print, Ltd., 1997.
Sandin, Daniel J.. The Analog Image Processing Component of the Circle Graphics Habitat. Chicago, IL: University of Illinois at Chicago Circle, undated.
Sandin, Daniel. The Analog Image Processing Component of the Circle Graphics Habitat. self-published, undated.
Stephenson, Ralph, and J. R. Debrix. The Cinema as Art. Harmondsworth, Middlesex, England: Penguin Books Ltd., 1965.
Sorensen, Vibeke. The Contribution of the Artist to Scientific Visualization., 1989.
Shayon, Robert Lewis. The Eighth Art, Edited by Robert Lewis Shayon. NY: Holt, Rinehart and Winston, 1971.
Shayon, Robert Lewis. The Eighth Art, Edited by Robert Lewis Shayon. NY: Holt, Rinehart and Winston, 1971.
Sitney, Adams P.. The Essential Cinema. Anthology Film Archives, series 2, vol. 1.. NY: New York University Press, 1975.
Sanz, Luciana. The Language of Video., undated.
Schiller, Herbert I.. The Mind Managers. Boston: Beacon, 1970.
Sherarts, Karon. The National Media Education Directory, Edited by Karon Sherarts. San Francisco, CA: National Alliance for Media Arts and Culture, 1997.
Sherarts, Karon. The National Media Education Directory, Edited by Karon Sherarts. San Francisco, CA: National Alliance for Media Arts and Culture, 1997.
Davis, Douglas, and Allison Simmons. The New Television: A Public/Private Art, Edited by Douglas Davis. Cambridge: MIT Press, 1977.
Sturken, Marita. The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices. University of Minnesota Press, 1996.
Sherman, Tom. The Premature Birth of Video Art. Syracuse, NY: self-published, 2007.
Schramm, Wilbur, and Donald F. Roberts. The Process and Effects of Mass Communications. Urbana, IL: University of Illinois Press, 1971.
The Singer Co. GPL TV Systems Education & Training Products Group. GPL's New Color Video Tape Recorder: VR-400.. Pleasantville, NY: Singer-General Precision, Inc., 1969.
The Singer Company, Link Division. Singer GPL TV Systems. Portable Television Production Console, GPL MP100.. Binghamton, NY: The Singer Company, Link Division., undated.
The Singer Company, Simulation Products Division. Architect's and Engineering Specifications: EIAJ-1 1/2" Video Tape Recorder Monochrome. VR-1 (hand-written).. Binghamton, NY: The Singer Company, Simulation Products Division., undated.
The Singer Company. Singer Education & Training Products. MP-100 Studio Console.. Binghamton, NY: The Singer Company., undated.
Schier, Jeffrey, and Diana Dosch. The Vasulka Imaging System, LSI-11. Buffalo, NY: The Vasulka Corporation, 1978.
Spinrad, Paul. The VJ Book: Inspirations and Practical Advice for Live Visuals Performance.. Los Angeles, CA: Feral House, 2005.
Schneider, Ira, and Mary Lucier Beryl Korot. Video Art: An Anthology, Edited by Ira Schneider. NY: Harcourt Brace Jovanovich, 1976.

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