Biblio

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Sturken, Marita. "TV As a Creative Medium: Howard Wise and Video Art." Afterimage 11, no. 10 (1984).
Sjolander, Ture. Ture Sjolander - complete CV. self, 2017.
Sondheim, Alan. "Towards A Primary Differentiation Between Film and Video." Art Papers (1989).
Sondheim, Alan. "Throat." Art Papers (1994).
Subrin, Elisabeth, and Laurie Weeks. Thread Waxing Space. CD: The Failure to Assimilate: The Video Works of Cecilia Dougherty., Edited by Lia Gangitano. New York, NY: Thread Waxing Space, 1998.
Sorensen, Vibeke. Thoughts of a Computer Artist. http://visualmusic.org/vibeke, 1995.
Sondheim, Alan. "Theses on the Inversion of the Cinema." Millennium Film Journal (1983).
Sturken, Marita. "The Whitney Museum and the Shaping of Video Art: An Interview with John Hanhardt." Afterimage (1983).
Spinrad, Paul. The VJ Book: Inspirations and Practical Advice for Live Visuals Performance.. Los Angeles, CA: Feral House, 2005.
Schier, Jeffrey, and Diana Dosch. The Vasulka Imaging System, LSI-11. Buffalo, NY: The Vasulka Corporation, 1978.
St. Lawrence, Jim. "The Temporary State of the Art." Videography 10, no. 6 (1985).
Robertson, Clive, and Lisa Steele. "The Story Behind Organized Art." FUSE: The Cultural Media and News Magazine 4, no. 6 (1980).
The Singer Company. Singer Education & Training Products. MP-100 Studio Console.. Binghamton, NY: The Singer Company., undated.
The Singer Company, Simulation Products Division. Architect's and Engineering Specifications: EIAJ-1 1/2" Video Tape Recorder Monochrome. VR-1 (hand-written).. Binghamton, NY: The Singer Company, Simulation Products Division., undated.
The Singer Company, Link Division. Singer GPL TV Systems. Portable Television Production Console, GPL MP100.. Binghamton, NY: The Singer Company, Link Division., undated.
The Singer Co. GPL TV Systems Education & Training Products Group. GPL's New Color Video Tape Recorder: VR-400.. Pleasantville, NY: Singer-General Precision, Inc., 1969.
Schramm, Wilbur, and Donald F. Roberts. The Process and Effects of Mass Communications. Urbana, IL: University of Illinois Press, 1971.
Sherman, Tom. The Premature Birth of Video Art. Syracuse, NY: self-published, 2007.
Sturken, Marita. The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices. University of Minnesota Press, 1996.
Sugaya, Hiroshi. "The Past Quarter Century and the Next Decade of Videotape Recording." SMPTE Journal 101, no. 1 (1992).
Stein, Anne-Marie. "The Passing of an Era: Boston Film/Video Foundation." MAIN, no. Spring (2004).
Davis, Douglas, and Allison Simmons. The New Television: A Public/Private Art, Edited by Douglas Davis. Cambridge: MIT Press, 1977.
Sherarts, Karon. The National Media Education Directory, Edited by Karon Sherarts. San Francisco, CA: National Alliance for Media Arts and Culture, 1997.
Sherarts, Karon. The National Media Education Directory, Edited by Karon Sherarts. San Francisco, CA: National Alliance for Media Arts and Culture, 1997.
Sieling, Neil. "The National Alliance of Media Arts Centers." Afterimage 13, no. 4 (1985).
Sykes, Barbara, and Stuart Pettigrew. "The Movement Within: Images Created on a Video Synthesizer." Videography 4, no. 12 (1979).
Schiller, Herbert I.. The Mind Managers. Boston: Beacon, 1970.
Sandin, Dan. The Macro Proto Proposal. unpublished, undated.
Sanz, Luciana. The Language of Video., undated.
Smith, Anthony. "The Influence of Television." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 1-16.

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