Biblio

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bibliographic
Battcock, Gregory. The New Art: A critical anthology, Edited by Gregory Battcock. New York, NY: E. P. Dutton & Co., Inc., 1966.
Baudrillard, Jean. The Mirror of Produrtion. Translated by Mark Poster. St. Louis: , 1975.. St. Louis: Telos Press, 1975.
Beck, Stephen. "The Phosphotron." SEND 9 (1984).
Bensinger, Charles. The Video Guide. Third Edition.. Santa Fe, NM: Video Info Publications, 1982.
Berger, John. The Look of Things. NY: Viking Press, 1972.
Bertram, Neal H., and David Mills R. Michael Stafford. "The Print/Through Phenomenon." Journal of the Audio Engineering Society 28, no. 10 (1979).
Birkerts, Sven. The Gutenberg Elegies: The Fate of Reading in an Electronic Age. Boston, MA: Faber and Faber, 1994.
Bode, Peer. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Boggs, Joseph M.. The Art of Watching Films: a guide to film analysis. Menlo Park, CA: The Benjamin/ Cummings Publishing Company, Inc., 1978.
Boomgaard, Jeroen. The magnetic era : video art in the Netherlands : 1970-1985., Edited by Jeroen Boomgaard and Bart Rutten. Rotterdam: NAI Publishers, 2003.
Brand, Stewart. The Media Lab: Inventing the Future at MIT. NY: Viking, 1987.
Brill, Amy. The Digital Directory: Art and Technology Resources in New York State, Edited by Amy Brill. NYC, NY: New York Foundation for the Arts in partnership with the New York State Council on the Arts, 1999.
Buck-Morse, Susan. The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and The Frankfurt Institute.. NY: Free Press, 1979.
Buckner, Barbara. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Burch, Noel. Theory of Film Practice. Translated by Helen R. Lane. NY: Praeger, 1973.
The Filmic Art of Paul Sharits. Buffalo, New York: Buffalo State College, 2000.
Burger, Peter. Theory of the Avant/Garde. Minneapolis: University of Minnesota Press, 1984.
Burger, Peter. Theory of the Avant-Garde. Translated by Michael Shaw. Theory and History of Literature, vol. 4.. Minneapolis: University of Minnesota Press,, 1984.
Burgin, Victor. Thinking Photography, Edited by Victor Burgin. London: Macmillan, 1982.
Burnham, Jack. The Structure of Art. NY: Braziller, 1970.
Burris, Jon. The Power of the Purse: Public Funding and the Aesthetics of Video. In At Arm's Length: (Taking a Good Hard Look at) Artists' Video. (Osborn) which see.. NY, NY, 1990.
Cage, John. Towards (a definition of) Experimental Music.., undated.
Cameron, Eric. "The Grammar of the Video Image." Arts Magazine 49, no. 4 (1974).
Caughie, John. Television: Ideology and Exchange., Edited by John Caughie. London: British Film Institute, 1978.
Cavell, Stanley. The World Viewed. Cambridge: Harvard University Press, 1979.
Howe, Hubert. The Buchla Box. Fullerton, CA: CBS Musical Instruments , Educational Research Department, 1969.
Cesan, Donna. The Electronic Gallery - Art, Ideas and Video. Owego, NY: SUNY Binghamton & The Experimental Television Center, 1980.
Chanan, Michael. The Dream that Kicks. London: Routledge, 1980.
The Personal Computer/Hobbyist keyboard from Cherry; Schematics for Cherry B70-05AB Keyboard. Waukegan, Illinois: Cherry Electrical Products Corp., undated.
The Imagician Diamond System Multi-Screen Programmer. Newton , MA: Clearlight Productions Inc., 1976.

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