Biblio

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T
Tuchman, Maurice. Art and Technology. Los Angeles: Los Angeles County Museum of Art,, 1971.
Trocco, Frank, and Robert Moog Trevor Pinch. Analog Days : The Invention and Impact of the Moog Synthesizer. Harvard University Press, 2002.
Thomson, Patricia. "Atomic Reactions: Film and Videotapes on Nuclear War and Disarmament." Afterimage 11, no. 9 (1984).
Thomas, Willard. "A Computer-Animation Dream Machine." Videography 1, no. 9 (1976).
Richards, Catherine, and Mary Anne Moser. Angles of Incidence: Video Reflections of Multimedia Artworks. Banff, Alberta, Canada: The International Council for Computer Communication and The Banff Centre for the Arts, 1993.
Templeton, Lawrence W., Don Hallock, and Richard Stephens. A Video Processing Facility for Artistic Use: Design Philosophy and a Description of Components. San Francisco, CA: National Center for Experiments in Television at KQED, 1972.
Taylor, Deems. A Pictoral History of the Movies. New York, NY: Simon and Schuster, 1943.
Tambellini, Aldo. "A Conversation on Electronics and Black TV with Aldo Tambellini." Artscanada (1968).
Tambellini, Aldo. A Brief History of "6673". New York, New York, 2003.
S
Sturken, Marita. "An Interview with Barbara Buckner." Afterimage 12, no. 10 (1985).
Sturken, Marita. "A Narrative Conceit: From the Academy to the Avant Garde." Afterimage 9, no. 9 (1982).
Stein, Ellin. "Ant Farm: The Last Interview." Boulevards (1980).
Spivey, Kelly. "Alchemy to AC/DC to Ones & Zeros: DIY Film to Video to Digital Transfers." The Squealer 15, no. 1 (2004): 14.
Sorensen, Vibeke. Art, Science. http://visualmusic.org/vibeke, 1995.
and Sobchack, Thomas Vivian C.. An Introduction to Film. Boston, Toronto, MA, Ontario, Canada: Little, Brown and Company, 1980.
Sharp, Willoughby. "An Interview with Joseph Beuys." Artforum 8, no. 4 (1969).
Schlanger, Matthew. Art Statement., undated.
Schimmel, Paul, and Nam June Paik. "Abstract Time." Arts Magazine 49, no. 4 (1974).

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