Sondheim, Alan. "Video." Perforations 2 (1991).

Ancona, Victor. "Vibeke Sorensen: Demystifying Video Technology." Videography 4, no. 2 (1979).

Jackson, Cheryl. "Up in the Air, An Interview with Brian Springer." The Squealer March April (1989).

Untamed Video: Artists' Tapes from the Experimental Television Center. Binghamton, NY: University Art Gallery, 1988.

Bode, Peer. UBER ORGAN ( body of life )., 2003.

Minkowsky, John. Two Early Video Portraits. One-Eyed Bum by Andy Mann (1974, 6 minutes, b/w, sound). Ama L'uomo Tuo (Always Love Your Man) by Cara DeVito (1974, 20 min. b/w, sound)., 1978.

Sturken, Marita. "TV As a Creative Medium: Howard Wise and Video Art." Afterimage 11, no. 10 (1984).

Sjolander, Ture. Ture Sjolander - complete CV. self, 2017.

Mikas, Matt. Tune (In))): Radio Community in Microcosm., 2004.

Chang, Chris. "Trent Harris: Beaver Trilogy." Film Comment (2000).

Hess, John, and Patricia Zimmermann. "Transnational Documentaries: A Manifesto." Afterimage (1997).

Transcript from The International Video Art Symposium. Kingston, Ontario, Canada: Agnes Etherington Art Centre, Queens Univeristy. Fleming., 1979.

Furlong, Lucinda. "Tracking Video Art: Image Processing as a Genre." Art Journal (1985).

Culler, Jeremy. Toward a Noncommercial Technology: The Development of Image-Processed Video in the 1960s and 1970s. FL: self-published, 2004.

London, Barbara. "Time as Medium: Five Artists' Video Installations." Leonardo 28, no. 1 (1995).

Sondheim, Alan. "Throat." Art Papers (1994).

Sorensen, Vibeke. Thoughts of a Computer Artist. http://visualmusic.org/vibeke, 1995.

Sondheim, Alan. "Theses on the Inversion of the Cinema." Millennium Film Journal (1983).

Sturken, Marita. "The Whitney Museum and the Shaping of Video Art: An Interview with John Hanhardt." Afterimage (1983).

Leogrande, Ernest. "The Video Stretch." Daily News (1973).

Chin, Daryl. "The Video Art of Takahiko Iimura." FILM AND VIDEO: Takahiko Iimura (1990).

Day, James. The Television Establishment, the Independent Producer and the Search for Diversity. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.

The Second Emerging Expression Biennial: The Artist and the Computer. Bronx, NY: Bronx Museum, 1987.

Herskowitz, Richard. The School of Experimental Viewing. From the Edison Black Maria Film and Video Festival., 1991.

Kearns, Mary Ann. The Role of Technology in the Art of Nam June Paik: The Social Implications of Television. unpublished thesis, 1988.

Sherman, Tom. The Premature Birth of Video Art. Syracuse, NY: self-published, 2007.

Sturken, Marita. The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices. University of Minnesota Press, 1996.

Hanhardt, John. "The Passion for Perceiving: Expanded Forms of Film and Video Art in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).

Stein, Anne-Marie. "The Passing of an Era: Boston Film/Video Foundation." MAIN, no. Spring (2004).

Quasha, George. The Parapoetics of Video., 1982.