Biblio

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Sturken, Marita. "Feminist Video: Reiterating the Difference." Afterimage 12, no. 9 (1985).
Allen, Charles R.. Dreaming While Making Ends Meet. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Work from the Experimental Television Center. Syracuse, NY: Everson Museum of Art, 1972.
Arthur, Paul. "Nonfiction Powwow in Poughkeepsie: The Flaherty Seminar at Fifty." Film Comment (2004).
Experimental Television Center, and Richard Brewster. LSI-11 Computer Interface to Video Synthesis System: Final Report to NEA: Hardware Documentation for project 1977., 1977.
Geever, Martha. "New York Media Group Spins Its Reels in Rochester." Afterimage (1983).
Weinger, Ralph. Color Video Synthesizer with Improved Image Control Means. US Patent., 1975.
Moore, Alan. Not on the Shelf: Accounting for New York City Artists' Organizations'.
Meeting April 15, 1978: Meryl Blackman, Peer Bode, Paul Davis, Ralph Hocking, Sherry Miller, Steina Vasulka, Walter Wright, Neil Zusman.. Binghamton, NY: Experimental Television Center, 1978.
Kite, Laddy. "Video Conference Held at Albany." Afterimage (1974).
Design / Electronic Arts Poster. Buffalo, NY: Media Study Buffalo, 1977.
Schlanger, Matthew. Art Statement., undated.
London, Barbara. "Video: A Selected Chronology, 1963-1983." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Ancona, Victor. "Barbara Buckner: Psychic Poetry Exemplified." Videography 4, no. 8 (1979).
Sjolander, Ture. Ture Sjolander - complete CV. self, 2017.
Wooster, Ann-Sargent. Memories - 25 Years of the Experimental Television Center. NY, NY: Art in General, NY and Mobius, Boston, 1997.
Giloth, Copper, and Lynn Pocock-Williams. "A Selected Chronology of Computer Art: Exhibitions, Publications, and Technology." Art Journal 49, no. 3 (1990).
Herskowitz, Richard. Media Buff: Media Art of Buffalo Being In Between, Edited by Richard Herskowitz. Ithaca, NY: Herbert F. Johnson Museum of Art, 1988.
Salloum, Jayce. Migration and Location: Transcultural Documentary Practice. the video installation as an active archive., 2005.
Sondheim, Alan. "Theses on the Inversion of the Cinema." Millennium Film Journal (1983).
Tennant, Carolyn. Video Rewind: A Seminar on Early Video History with Deirdre Boyle, Barbara London, Paul Ryan and Perry Teasdale., Edited by Carolyn Tennant. ETC, 1998.
The Second Emerging Expression Biennial: The Artist and the Computer. Bronx, NY: Bronx Museum, 1987.
Burris, Jon. "Did the Portapak Cause Video Art? Notes on the Formation of a New Medium." Millennium Film Journal 29 (1996).
Experimental Television Center, Ralph Hocking, and Sherry Miller Hocking. New York State Council on the Arts: Proposal for Operation of Experimental Television Center. 1976., 1976.
Zimmermann, Patricia R.. De-Fantasizing the Profession and Re-Public-izing Cinemas or Holding on to the Real. Society for Cinema Studies Plenary Address, 2000.
Furlong, Lucinda. Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents - Film and Video Works Funded, Edited by Lucinda Furlong. New York, NY: The New York State Council on the Arts, 1994.
Kearns, Mary Ann. The Role of Technology in the Art of Nam June Paik: The Social Implications of Television. unpublished thesis, 1988.
Vasulka, Woody. Aldo Tambellini: Black Spiral., 1992.
Sorensen, Vibeke. Thoughts of a Computer Artist. http://visualmusic.org/vibeke, 1995.
Meredith, Suzanne. "Hidden Treasure - 3 Flights Up." Press & Sun Belletin (2005).

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