{"id":7303,"title":"Andrew Demirjian","kind":"bio","url":"https://www.videohistoryproject.org/andrew-demirjian","version":"ba486f1cd19b8d46c3c0f6ae2a7a743ce244ba680487c860702ac249664dfaeb","modified":"2011-06-17T23:59:41+00:00","credits":[],"authorKeys":[],"subjects":["bio"],"metadata":[{"label":"First name","value":"Andrew","url":null},{"label":"Last name","value":"Demirjian","url":null}],"citations":{"page":"\u0022Andrew Demirjian.\u0022 Video History Project, Experimental Television Center, 2011. https://www.videohistoryproject.org/andrew-demirjian.","publication":null,"risUrl":"https://www.videohistoryproject.org/citation/7303.ris"},"links":[],"sections":[{"name":"body","source":"VHP record body","generated":false,"characters":707},{"name":"summary","source":"existing VHP generated summary","generated":true,"characters":651}],"content":{"section":"body","source":"VHP record body","generated":false,"text":"My films are sonic and visual tapestries that track how we perceive, categorize and assign meaning in a culture of sensory overload. The videos visually render interior thought processes, using text, art history, pop culture and music as a referential landscape, shaped by digital tools. I resist being limited by the box of a video format and many of the works are conceived and executed as a more immersive experience, as large scale installations and live performance. The videos are short in length, employ quick editing and are often humorous, fusing a high and low aesthetic. There is a heightened attention to sound and text that challenges the traditional dominance of the visual in the film medium.","offset":0,"nextOffset":null,"totalCharacters":707,"complete":true},"rightsUrl":"https://www.videohistoryproject.org/terms-service"}